Sunday, September 6, 2026

What Does It Mean to Inhabit a Body Shaped by Illness? Dana Donaty’s “Florida Blue, The Revenue Stream”

 

Dana Donaty's ‘Florida Blue, The Revenue Stream’

South Florida contemporary artist Dana Donaty explores illness, women’s health, historical erasure, and the systems that shape how women’s bodies are understood through a new punch needle work created during her time at the Chanorth Art Residency. 

What does it mean to inhabit a body shaped by illness?

For artist Dana, that question has become the starting point for an ongoing investigation into the ways illness can transform not only the body, but also the experience of time, relationships, and belonging.

Florida Blue, The Revenue Stream, completed in 2026 during Dana’s time at the Chanorth Art Residency, is part of a new punch needle series exploring those questions through material, research, grief, rage, and memory.

Over the past decade, illness has changed far more than Dana’s body. It has altered how she experiences the world around her, prompting a deeper investigation into the history of women’s health, medicine, and the ways women have been understood—or misunderstood—within medical and social systems.

“I started there, but the research kept expanding,” Dana explains.

As she moved through those histories, she began to recognize that experiences that had initially felt deeply personal were also part of a much longer lineage of exclusion, dismissal, and erasure.

And, unexpectedly, that realization brought some comfort.

Doctors have often made it sound as though she is uniquely complicated rather than acknowledging the limits of medical knowledge and research.

“Different century. Same shit.”

What began as an attempt to make sense of her own experience has therefore become a broader investigation of the historical and systemic forces that shape how women’s bodies are understood, cared for, and remembered.


Dan Donaty's ‘Florida Blue, The Revenue Stream’ Side 2


Florida Blue, The Revenue Stream

Created in 2026, Florida Blue, The Revenue Stream combines acrylic yarn, Marino wool, Mongolian cashmere, pink mirrored plexiglass, twisted nylon mason line, grief, and rage.

The work unfolds across two sides.

Side 1 is grounded in the present, where illness can pull the body into systems that manage rather than care. Here, the river becomes a figure for the extractive flow of contemporary healthcare.

Side 2 turns toward the past, tracing a lineage from women persecuted for their healing practices to the institutions that continue to govern women’s health today.

Together, the two sides ask a larger question: How do the currents of history move through women’s bodies?

Through the language of fiber and the physical labor of punch needle, Dana brings together personal experience, historical research, material memory, and social critique. The resulting work becomes both an exploration of her own lived experience and an examination of the larger systems that have shaped women's relationships with medicine, authority, care, and the body.


Dana Donaty Studio


A Continuing Investigation

Rather than offering a single conclusion, Florida Blue, The Revenue Stream forms part of Dana’s continuing investigation into women’s health and the historical structures surrounding it.

The work connects the intimate realities of illness with a broader cultural history, asking viewers to consider what is remembered, what is erased, who is believed, and what happens when institutions continue to govern bodies without fully understanding them.

Florida Blue, The Revenue Stream is currently included in A Pixel Ring, an online exhibition presented by Field Projects Gallery and curated by @herlovelyface, @jacobrhodes74, and Elizabeth Harris.

View the exhibition:
www.fieldprojectsgallery.com/a-pixel-ring

Florida Blue, The Revenue Stream, 2026
Acrylic yarn, grief, Marino wool, Mongolian cashmere, pink mirrored plexiglass, rage, twisted nylon mason line.


Dana Donaty's ‘Florida Blue, The Revenue Stream’ detail pic


Wednesday, September 2, 2026

Must-See exhibition at PAMM, John Baldessari: The End of the Line

 

John Baldessari. Tetrad Series: What Was Seen, 1999. Inkjet print on canvas; acrylic and enamel paint on canvas, in four parts. 94 x 94 inches overall. Craig Robins Collection. © 1999–2026 John Baldessari Family Foundation. Courtesy Estate of John Baldessari; Sprüth Magers


John Baldessari: The End of the Line

August 20, 2026 – May 9, 2027


Pérez Art Museum Miami (PAMM) presents the first major survey in South Florida devoted to John Baldessari (1931–2020), a leading pioneer of conceptual art. The exhibition features a selection of forty works spanning painting, photography, video, and installation, drawn largely from the collection of Craig Robins––a close friend, champion, and one of the artist’s foremost collectors. This presentation highlights Baldessari’s foundational works from the 1960s and 1970s, the radical incineration of his own paintings, his serial approach to photography, and his lifelong investigation into the relationship between language and image.

Born in the small border town of National City, California, Baldessari began his artistic career as a painter. In the mid-1960s, he started incorporating text and photographs into his canvases, questioning the limits of painting and the traditional notions of artistic authorship. In 1970, through his Cremation Project, he burned most of the paintings he had made between 1953 and 1966, symbolically separating his early work from the conceptual practice that followed––a gesture of radical reinvention echoed the following year in I Will Not Make Any More Boring Art, one of his most iconic critiques towards the art establishment. During the following decade, he began collecting film stills, images from television, and other photographic reproductions from media. Over time, he amassed a vast archive of source material that he incorporated freely into his work, frequently obscuring faces and other details with brightly colored circles.

Beyond challenging the artistic conventions of his time, Baldessari profoundly influenced generations of artists through his teaching. He taught at the California Institute of the Arts (CalArts) from the institution’s founding in 1970 until 1988, and at the University of California, Los Angeles (UCLA), from 1996 to 2005.


Organization and Support

John Baldessari: The End of the Line is curated by Karen Grimson, Curator of the Craig Robins Collection and Director of Cultural Programming at Dacra. The exhibition at PAMM is organized by José Carlos Diaz, Senior Director of Curatorial Affairs and Chief Curator, and Fabiana A. Sotillo, Curatorial Assistant. Support from National Endowment for the Arts, Funding Arts Network, Jayne Binzer-Jacowitz and Steven Jacowitz, Constance Tolevich Fernández, Linda LaGorga, and Jane Hurt is gratefully acknowledged.

Tsika Dzedu: Zimbabwe National Exhibition & Competition 2026 Celebrates Art, Culture & Heritage at Artgal Zim Center

 


Tsika Dzedu: Zimbabwe National Exhibition & Competition 2026 Celebrates Art, Culture & Heritage at Artgal Zim Center

September 8–12, 2026 | Artgal Zim Center, Domboshava, Zimbabwe

Zimbabwean art, culture, identity, and heritage take center stage this September with Tsika Dzedu: Zimbabwe National Exhibition & Competition 2026, an important new platform bringing artists and the broader cultural community together at the Artgal Zim Center in Domboshava.

Taking place from September 8–12, 2026, Tsika Dzedu will culminate in a vernissage and awards ceremony on September 12, celebrating the artists and creative voices participating in this year’s national exhibition and competition.

Following the main event, the selected artworks will remain on exhibition at the Artgal Zim Center for an additional three weeks, providing audiences with an extended opportunity to experience the work beyond the opening celebrations.

Celebrating Zimbabwean Culture

Tsika Dzedu centers on themes of culture, identity, heritage, and the traditions that continue to shape Zimbabwe. The exhibition provides artists with a platform to explore the many dimensions of Zimbabwean cultural experience while presenting their work to audiences both locally and internationally.

With the Artgal Zim Center serving as its physical cultural and educational base, the exhibition reflects Artgal’s broader mission of creating opportunities for Zimbabwean artists, expanding access to their work, and strengthening connections between local artistic production and the international art community.



Meet the Tsika Dzedu Judges

A distinguished three-person judging panel has been assembled to help select this year's winners:

Sampson Kuvenguhwa
Master Zimbabwean Sculptor

Malindi Odell
Head of Art Department, The Heritage School Zimbabwe

Leslie Johnson
Zimbabwean Artist and Arts Festival Organiser


Artgal Zim Center

Located in Domboshava, the Artgal Zim Center provides a physical home for Artgal’s growing program of exhibitions, cultural initiatives, artist opportunities, and educational activity.

Through its exhibitions and digital initiatives, Artgal.Online is developing a broader platform for contemporary Zimbabwean art—connecting artists, collectors, cultural audiences, and international communities while creating greater visibility for Zimbabwe's creative sector.

Tsika Dzedu forms an important part of that ongoing mission, bringing together artistic production and cultural heritage while creating new opportunities for Zimbabwean artists to reach wider audiences.


Discover the September Collector Journal

The latest Artgal.Online September Collector Journal expands on Tsika Dzedu, introducing the judging panel and exploring the artists, ideas, cultural heritage, Zimbabwean art, Shona sculpture, exhibitions, artist stories, collector insights, and the latest developments from the Artgal Zim Center.

Discover more about Tsika Dzedu and the latest news from Artgal.Online in the September Collector Journal, and read the full Miami Art Scene™ feature below.

Read the September Collector Journal:
https://www.artgal.online/journal-newsletter/newsletter-september/

Read the full Miami Art Scene™ feature:
https://www.themiamiartscene.com/from-domboshava-to-the-international-art-world-artgal-online-builds-a-new-platform-for-contemporary-zimbabwean-art/

Artgal.Online:
https://www.artgal.online/

Tsika Dzedu: Zimbabwe National Exhibition & Competition 2026
September 8–12, 2026
Artgal Zim Center | Domboshava, Zimbabwe
Vernissage & Awards Ceremony: September 12, 2026
Selected artworks remain on view for an additional three weeks.



Wednesday, August 19, 2026

NSU Art Museum presents a new exhibition: Wilfredo Lam's Legacy, August 30, 2026 - February 14, 2027



Wifredo Lam's Legacy

August 30, 2026 - February 14, 2027

In Memory of Pearl Goodman 

NSU Art Museum presents a new exhibition, Wilfredo Lam's Legacy, August 30, 2026 - February 14, 2027. Born in 1902 in a sugar-cane harvesting region of Cuba, Wifredo Lam (1902-1982) was a transatlantic artist whose mixed heritage as the son of a Chinese immigrant father and Afro-Cuban mother shaped his distinct Surrealist work. Lam had a profound influence on Cuban artists. Lam’s adoption of Afro-Cuban rituals, the reclaiming of African identity, the celebration of the tropical landscape, the use of coded emblems of social and political protest, and the stylization of abstracted hybrid personages are evident in the works on view in this exhibition. Most of all, Lam’s fame as a transnational artist was a source of pride and an example of how art transcends national borders. As artist Maria Magdalena Campos-Pons (b. 1959) stated on the occasion of Lam’s recent retrospective at the Museum of Modern Art, New York, “When I was young, we were all trying to be Lam.”


Drawn exclusively from the museum’s permanent collection and the recent generous gift from Stanley and Pearl Goodman of their Latin American art collection, the exhibition includes works by Wifredo Lam, Ray Azcuy (Broward), José Bedia (Miami), María Brito, Agustín Cárdenas, Los Carpinteros, Kcho, Ana Mendieta, María Martínez-Cañas (Miami), María Magdalena Compos-Pons, and Ricardo Zulueta (Miami), among others. 


Wednesday, August 12, 2026

The Betsy Orb: “The Egg” Connecting Miami Beach’s Architectural Past and Present

 




Walk along Miami Beach's Ocean Drive and you expect to see Art Deco façades, palm trees, ocean views, and the unmistakable architecture that has made the area one of the world's most recognizable destinations. But tucked between two historic buildings is something entirely different: a futuristic, orb-shaped structure that seems almost suspended in midair.

Known as The Betsy Orb, and affectionately referred to by many as “The Egg,” the distinctive skybridge connects The Betsy's original Ocean Drive property with the former Carlton Hotel building on Collins Avenue. What makes the structure particularly fascinating is the contrast between the historic architecture surrounding it and its contemporary sculptural form. Rather than competing with the buildings, the Orb creates a visual conversation between Miami Beach's architectural past and its evolving cultural identity. The Betsy itself describes the Orb as an “orb-shaped skybridge” and highlights it alongside the property's Poetry Rail and other art and design elements. 



The Betsy's original building, located at 1440 Ocean Drive, opened in 1942 as the Betsy Ross Hotel. Designed by architect L. Murray Dixon, it is recognized as one of Miami Beach's notable examples of Colonial Revival architecture, incorporating classical details while adapting to the city's subtropical environment.

The adjacent Carlton Hotel represents another chapter in Miami Beach's architectural history, having been designed by architect Henry Hohauser. The eventual expansion of The Betsy brought these two architecturally distinct buildings together as one unified property. 

And then there is the Orb.



Instead of hiding the architectural differences between the two buildings, the expansion embraced them—introducing an entirely new contemporary element that visually and physically connects the two.

The Betsy Orb is more than a passageway between two buildings. The hotel presents it as a piece of public art, and its role within The Betsy's larger arts and culture program has become an important part of its identity. The hotel's arts programming includes exhibitions and installations within the Orb itself, demonstrating how the unusual architectural space can become a setting for contemporary creative work.




Sunday, August 9, 2026

The Institute of Contemporary Art Miami (ICA Miami) Four Rooms: Selections from ICA Miami’s Permanent Collection

 

Ming Fay, 'Money Tree Floating Vine' 1990s/2025 


Four Rooms: Selections from ICA Miami’s Permanent Collection

Special Exhibition / 2nd Floor on view April 30 – October 4, 2026


 “Four Rooms” on view at The Institute of Contemporary Art Miami (ICA Miami) assembles a suite of four exhibitions comprising works from the museum’s permanent collection, each organized by one of the museum’s curators, with a focus on recent acquisitions. The resulting presentations, which take the form of vignettes, demonstrate both the diversity and the historical depth of ICA Miami’s collection. The exhibition continues the museum’s ongoing approach to generating dialogue between newly commissioned works and works from the last fifty years and expresses the global scope of ICA Miami’s collection. 

Spirit Matter, curated by Donna Honarpisheh, Associate Curator, Art + Research, brings together diverse experimentations with material that transform matter into portals of spiritual encounter across global contexts. In an exhibition dedicated to grisaille, Gean Moreno Director, ICA Miami’s Art + Research Center, presents works that are meditations on the body and its traces, where presence, memory, and identity emerge through black-and-white photography and subtle performative gestures. Associate Curator Amanda Morgan invites viewers to reflect on intimacy and one’s relationship to the spaces of everyday life. Her exhibition brings together works that feature emotionally laden domestic objects and built environments that imply presence without depicting the human form. Finally, Alex Gartenfeld, Artistic Director, highlights a concise presentation of the museum’s wide-ranging examples of minimalism, highlighting a recent major acquisition of work by Miriam Schapiro. 

Featured artists include Larry Bell, Talia Chetrit, Anne Collier, Rose Marie Cromwell,  Kim Farkas, Ming Fay, Dan Flavin, Samuel Fosso, Paul Gardère, Ron Gorchov, Hugh Hayden, Lonnie Holley, Peter Hujar, Hudinilson Jr., Nikita Kadan, Matt Keegan, Tau Lewis, Louise Nevelson, Damián Ortega, Dalton Paula, Thomas Ruff, Miriam Schapiro, Heji Shin, Tatiana Trouvé, Kaari Upson, Sara VanDerBeek, Celia Vásquez Yui, Ai Weiwei, and Luis Fernando Zapata.

Sunday, July 26, 2026

The Contemporary Art Modern Project (CAMP Gallery) presents The Fabric of Me August 1 - 21, 2026

THE FABRIC OF ME
AUGUST 1 - AUGUST 21, 2026


The Contemporary Art Modern Project is elated to announce a special summer exhibition in collaboration with Aurora Molina and her students at Play Studio Artelier. At Play Studio Artelier, they believe every child is an artist with a unique voice. Under the guidance of artist and educator Aurora Molina, our students are invited to explore contemporary art through curiosity, experimentation, and the transformative language of fiber. On view August 1 - 21, 2026.

The portraits presented in this exhibition are more than representations of faces—they are expressions of identity, observation, and imagination. Through weaving, stitching, and textile-based techniques, each young artist discovered how thread can become a medium for storytelling, connection, and creative confidence.

We are honored to present these works at The CAMP Gallery, celebrating the creativity of our young artists and reaffirming our belief that when children are given the opportunity to create with intention, their voices become an essential part of our cultural conversation. At Play Studio Artelier, they see art not only as a means of making, but as a way of thinking, connecting, and shaping the future.


Friday, July 24, 2026

Recognizing Dudley Alexis - Catalyst Award Winner 2026

Dudley Alexis, Catalyst Award Winner 2026

About the artist

Dudley Alexis, an independent filmmaker and visual artist. Dudley Alexis is both a cultural anthropologist and historian who sees his world through unique multicultural eyes. His mission as a Creative is to mine the wealth of hidden details that provide meaning to the lives of those often written off by the mainstream, finding in their stories, real treasure. His gift is in gaining the trust of others who then poignantly share their personal stories, often filled with tragedy and triumph. Alexis vividly portrays their drive to thrive and to live with dignity and equality in a world that would too often attempt to keep them marginalized.

About DVCAI


Diaspora Vibe Cultural Arts Incubator, Inc. is a virtual artist space dedicated to promoting, nurturing, and cultivating the vision and diverse creativity of emerging artists from the Caribbean and Latin American Diaspora through experimentation, exhibitions, artists-in-residence programs, international cultural exchanges, and dialogue in contemporary art. www.dvcai.org. DVCAI partners with organizations to enhance residency experiences in the Caribbean region, nationally, and internationally. For more information, please visit www.dvcai.org and follow our activities at https://www.instagram.com/dvcai


Thursday, July 23, 2026

Experience the 2026 Boynton Beach Night Market July 24 & 25 from 5-11pm

 


The Boynton Beach Community Redevelopment Agency (BBCRA) invites residents and visitors to experience one of the City’s largest and most anticipated events of the year, the Boynton Beach Night Market, returning Friday, July 24, and Saturday, July 25, 2026, from 5:00 p.m. to 11:00 p.m. each evening at Centennial Park & Amphitheater, 120 E. Ocean Avenue in Downtown Boynton Beach.

This year’s Night Market will transport guests back to the vibrant decade of neon colors, big hair, and iconic music with an exciting 80s-themed celebration featuring live entertainment, nearly 100 exhibiting vendors, delicious food, interactive activities, and fun for all ages.

The Boynton Beach Night Market has become a signature summer tradition that transforms Downtown Boynton Beach into a lively outdoor marketplace celebrating the community and the local businesses that make Boynton Beach unique. The Night Market is all about showcasing and supporting local businesses located throughout the Boynton Beach CRA District and the City of Boynton Beach. Created by the BBCRA, the business promotional event provides local businesses, entrepreneurs, artisans, and makers with an opportunity to connect directly with thousands of residents and visitors while introducing attendees to the diverse shopping, dining, and entertainment experiences available throughout the community. Follow @BoyntonBeachCRA on Facebook and Instagram.

This year’s Night Market will feature:
More than 90 local businesses
Live entertainment throughout both evenings
An exciting 80s-themed atmosphere
Delicious food and drinks
Interactive activities and family-friendly entertainment

FREE Admission & Free event parking will be available throughout Downtown Boynton Beach.

Walkable Parking Locations
• Boynton Beach City Hall Parking Lots – SE Corner of Boynton Beach Boulevard & Seacrest Blvd.
• First Baptist Church of Boynton Beach – 301 N. Seacrest Boulevard
• First Church of Boynton Beach – 101 N. Seacrest Boulevard
• Parking lots located on the SW corner of Boynton Beach Blvd. and Federal Highway.
• Limited on-street parking along East Ocean Avenue

Park & Ride Locations
• Hester Center – 1901 N. Seacrest Boulevard
• Boynton Beach Senior Center – 1021 S. Federal Highway














2026 Call to Artists - The Riverwalk Connection

2026 Call to Artists


The Riverwalk Connection

Submission dates: Monday, August 2 through Friday, October 2, 2026

Riverwalk Fort Lauderdale invites local artists to submit their original artwork depicting Fort Lauderdale’s Riverwalk and/or downtown and how the Riverwalk serves as a central connector in our community, geographically, socially, culturally or economically. Potential points of view include:

  • “Riverwalk in Motion” (boats, people, festivals, wildlife)
  • “Moments on the Riverwalk” (human experiences—events, quiet scenes, movement)
  • “Riverwalk: Then, Now & Next” (past / present / future interpretations)

Artists are invited to submit two and three-dimensional original artwork of all mediums, including but not limited to watercolor, oil, sculpture, photography, charcoal, mixed media, drawing and gouache.

Following the submission deadline, artwork will be judged by a local juried panel, with the winning piece being featured on the cover of a future issue of Go Riverwalk Magazine.  Artists must be available to be photographed and interviewed for the story. 

Submission must include: Name, Address, Phone, Email, Title of piece and Description. Click here to download the submission form. For questions and to submit items email joyel@GoRiverwalk.com or call 954-468-1541 x 200. 

2025 Call To Artists information is available here.

Monday, July 13, 2026

Open Call: Apply for the Teen Art Council | NSU Art Museum today! Now through August 29, 2026

 

Apply to the Teen Art Council (TAC) at NSU Art Museum Fort Lauderdale!

New applications are now open for consideration to all rising Freshman through Junior grade level students entering the 2026 – 2027 school year. If you are interested in community engagement and supporting the arts, we encourage you to apply. Previous applicants are encouraged to reapply!

The Teen Art Council (TAC) at NSU Art Museum Fort Lauderdale embraces teens and empowers peers within the museum space by providing programming and support that enhance leadership skills, critical thinking, and developmental milestones for an emerging professional. By fostering a designated, incubated safe space for teens’ perspectives to convene, NSU Art Museum initiates lifelong relationships with the teen demographic.

This program allows teens to have the opportunity to collaborate with peers to plan events, investigate exhibitions, and discover the inner workings of the museum. Our mission is to create spaces and programs for teen representation and bridge the gap between teenagers and NSU Art Museum.

Wednesday, July 8, 2026

 


Marco Caridad & Daniel Djuro-Goiricelaya


The Shape They Gave Us


Curated by Amalia Caputo


Experience the opening reception of The Shape They Gave Us, a collaborative exhibition that reinterprets the Major Arcana of the tarot as a system of archetypes and inherited social roles.


Developed between Pennsylvania and Vieques, the works combine automatist painting, textile intervention, stitching, layering, and assemblage to question how identity is shaped, assigned, and embodied.


Opening Reception
July 9, 2026, 6:00 PM
Outer Space
2925 Salzedo St, Coral Gables, FL


Presented as part of Fiber Miami Triennial 2026 programming.

Monday, July 6, 2026

(MOAD) Museum of Art and Design at MDC presents Abstraction as Legacy as part of the AMERICA 250 Celebrations

 


Museums throughout the U.S. are honoring America250 with exhibitions and programming that examine the past, present, and future of the United States of America. (MOAD) Museum of Art and Design at MDC makes its own contribution to America250 celebrations with an exhibition titled Abstraction as Legacy


This project brings together a group of paintings to reflect on the myriad ways in which American artists have contributed to the field of abstraction. Works by Willem de Kooning and Joan Mitchell speak to abstract expressionism while works by Lloyd Kiva New and George Morrison reinforce ways in which indigenous artists contributed to the history of painterly abstraction in the U.S. 


This show demonstrates that there is no one way to be an American artist just as there is no way be an American. Some artists in the exhibition lived abroad while others were born abroad. Some chose hard edges informed by architecture while others used abstraction to contemplate the natural environment. 


This exhibition includes paintings by Carmen Herrera, Willem de Kooning, Sam Gilliam, Virginia Jaramillo, Joan Mitchell, Young-Il An, George Morrison, Lloyd Kiva New, Vaughn Spann, Zilia Sánchez, Hans Hofmann and Noemí Ruiz.as well as a salon style wall of works on paper from the collection by Karen Rifas, Sol LeWitt, Robert Thiele, Raymond Saunders, Robert Huff, Louise Nevelson, Lynne Golob Gelfman, and Robert Mangold. 

Photo Credit: Photos by Oriol Tarridas



Friday, June 26, 2026

The CAMP Gallery: “Swathed In Color, Line, and Stitches” a group exhibition featuring Brittany Clifford, Evelyn Politzer, Gabrielle Torres and Eden Quispe


Swathed in Color, Line and Stitches is The CAMP Gallery’s summer exhibition bringing together artists: Brittany Clifford, Evelyn Politzer, Gabrielle Torres and Eden Quispe. Looking more at what brings us together each artist tells stories, weaves connections through their varied mediums. Sharing their individual cares these artists offer respite from chaos and invite the viewer into the tranquility of their individual practices brought on through palette and line, all held together by the artist’s wish. 



Line work is often attributed to the work of abstract artists, working on canvas and with paint - which is clearly seen in the works of local artist: Brittany Clifford. Interestingly though, Clifford softens her line, adds a curve to it - suggesting a different path than that which is the standard - beginning, end. Clifford’s lines allow for distraction, imagination and mirrors the ‘ups and downs’ of a day. Her colors also become unified symphonies of joy, mixing and melding, combining and connecting hues and tones heralding one to enter the mix. The physicality of her work also suggests the need to resolve unidentified conflicts - for example, the initial conflict is the canvas itself - standing resolute in its blank state. Clifford approaches this barricade with confidence and a notion of rebellion in that she conquers the canvas, breaks some rules along the way, and ends up with her voice, her vision standing where once their was emptiness. The next, and maybe the most confounding conflict an artist faces is their voice - and how can it be heard by someone else. Clifford overcomes this obstacle by keeping meaning, externally fluid, while intimately personal - showing the connections of human experience. We do not need to experience exactly what the artist paints to be affected by the work. 

Evelyn Politzer

Evelyn Politzer in her series focused on the sea, takes fiber and creates lines that ripple through the work. Her work stimulates one back to shorelines, absorbing the rush of the surf, while imagining the underneath, while just being. Politzer stitches together individual threads into a swath of imagination, heralding and opening the doors to “be-ingness.” In the series, the idea of becoming whole by approaching the work, overshadows the moment by encouraging the viewer to step outside of the the lines. The lines in the work both stand alone, but also are highly reliant on the other - creating an amphibious nuance of interdependency. Politzer, stands comfortably in the unconscious, while simultaneously rooted in higher consciousness - embracing this duality is key to the method behind interpretation. 


Stitching lines and weaving resolutions Gabrielle Torres creates living, breathing swathes of color, texture, line, and of course, stitches. Taking deep colors, symbolic and rich, Torres brings together not only her lines, but the lines of the environment around her, as well as the rhythm of life. Her works speaks to a universal reliance on co-existence and memory. The Wilton Street Rhythm  Series, speaks and begins from a marriage of memory and music to where it expands beyond the artist’s original intent. Fusing the creation of the work with blues, Torres interprets the music, and her reaction thus creating almost a web of feeling bound through thread and jazz. 


Using fabric, stitches and color, Eden Quispe tells stories not unique to her alone. Creating pages of life Quispe flips through the stages: from childhood to adulthood, to caring and protecting childhood, and her life and family in stories. Taking on the role of a chronicler Quispe shares to stimulate memory both lived and hoped for into glimpses of moments. Naturally these moments are defined and described by the artist, but the universality of her topic welcomes the viewer to step towards this same universality. Key to Quispe’s execution is that of memory and protection - preserving both motherhood and childhood in today’s contemporary world, she aims to explore and expose both chaos and peace, ultimately finding balance in her artistic expression. 

As a whole, when brought together, the artists and their works in this exhibition, explore, from different plaines the connection we all share, the dependence not only of self, but on each other. Reaching from the internal, the daily, and the environment - the art presents an unification of difference, that when all is said and done, is that which makes society. The exhibition asks us all to come together and relish the components that will leave us with the expectation of welcoming each other, recognizing the universal of being human; being besieged by conflict, embraced by lived experience, and united by both.