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Museums throughout the U.S. are honoring America250 with exhibitions and programming that examine the past, present, and future of the United States of America. (MOAD) Museum of Art and Design at MDC makes its own contribution to America250 celebrations with an exhibition titled Abstraction as Legacy.
This project brings together a group of paintings to reflect on the myriad ways in which American artists have contributed to the field of abstraction. Works by Willem de Kooning and Joan Mitchell speak to abstract expressionism while works by Lloyd Kiva New and George Morrison reinforce ways in which indigenous artists contributed to the history of painterly abstraction in the U.S.
This show demonstrates that there is no one way to be an American artist just as there is no way be an American. Some artists in the exhibition lived abroad while others were born abroad. Some chose hard edges informed by architecture while others used abstraction to contemplate the natural environment.
This exhibition includes paintings by Carmen Herrera, Willem de Kooning, Sam Gilliam, Virginia Jaramillo, Joan Mitchell, Young-Il An, George Morrison, Lloyd Kiva New, Vaughn Spann, Zilia Sánchez, Hans Hofmann and Noemí Ruiz.as well as a salon style wall of works on paper from the collection by Karen Rifas, Sol LeWitt, Robert Thiele, Raymond Saunders, Robert Huff, Louise Nevelson, Lynne Golob Gelfman, and Robert Mangold.
Photo Credit: Photos by Oriol Tarridas
Bakehouse Art Complex, in collaboration with French architecture and urban design practice Coldefy, has selected The Porch by architects and educators Elmer O. García and Olga Kusche-Iglesias as the winning proposal for its "Triumphal Arch" Open Call.
Conceived as a contemporary reimagining of the triumphal arch, The Porch draws inspiration from the social and architectural traditions of South Florida and the Caribbean. Constructed from aluminum tubing and repurposed lawn chair components, the design transforms the gateway into an inviting space for gathering, rest, and community exchange.
"The Porch stood out for its conceptual clarity, material ingenuity, and deeply local approach to public space," said the selection panel. "The proposal captures Bakehouse's commitment to creative innovation and community-building while transforming familiar everyday objects into an inviting architectural experience."
The installation will serve as the entrance to Bakehouse's new community garden and outdoor programming space in Wynwood Norte, supporting exhibitions, workshops, performances, and neighborhood events. Learn more HERE.
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We’ve proudly partnered with leading artists and creatives, galleries, museums, and institutions across South Florida and beyond for over ten years — promoting artists, exhibitions, creative projects, openings and special events. Whether you're launching a new body of work, hosting an exhibition, or looking to grow your collector base, we help you gain powerful visibility and lasting impact.
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| Monumentalizing the Trace, 2026. Exhibition view, The Frank C. Ortis Gallery. Photograph by Rafael Núñez. Courtesy of the City of Pembroke Pines. |
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| Monumentalizing the Trace, 2026. Exhibition view, The Frank C. Ortis Gallery. Photograph by Rafael Núñez. Courtesy of the City of Pembroke Pines. |
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| Monumentalizing the Trace, 2026. Exhibition view, The Frank C. Ortis Gallery. Photograph by Rafael Núñez. Courtesy of the City of Pembroke Pines. |
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| Monumentalizing the Trace, 2026. Exhibition view, The Frank C. Ortis Gallery. Photograph by Rafael Núñez. Courtesy of the City of Pembroke Pines. |
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| Monumentalizing the Trace, 2026. Exhibition view, The Frank C. Ortis Gallery. Photograph by Rafael Núñez. Courtesy of the City of Pembroke Pines. |
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| Monumentalizing the Trace, 2026. Exhibition view, The Frank C. Ortis Gallery. Photograph by Rafael Núñez. Courtesy of the City of Pembroke Pines. |
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| Monumentalizing the Trace, 2026. Exhibition view, The Frank C. Ortis Gallery. Photograph by Rafael Núñez. Courtesy of the City of Pembroke Pines. |
Explore current exhibitions on view at The Bakehouse Art Complex in Wynwood, featuring two artists with compelling solo exhibitions currently on view in Miami— each engaging memory, material, and personal history in distinct and fruitful ways: Luján Candria & Sterling Rook.
Luján Candria
Miami-based Argentine artist Luján Candria works across a wide range of media to create introspective works that explore memory, reminiscence, and oblivion. Luján often uses the repetition and juxtaposition of images to create intimate and poetic narratives imbued with nostalgia.
Luján has been a resident artist at Bakehouse since 2021. To experience more of her work, visit her studio here at Bakehouse, or see Still More Fragile, her solo exhibition currently on view at Faena Art through May 3.
Sterling Rook
Miami-based artist Sterling Rook works across sculpture and fiber, using materials such as forged steel, handmade rope, and organic elements to explore ancestry, craft, and material memory. Drawing from a lineage of textile and fiber traditions on both sides of his family, Rook approaches art-making as both a generative and regenerative process, connecting personal and cultural histories across time.
Sterling currently has work on view at Tunnel Projects as part of his solo exhibition Shupingagua, on view through Saturday, April 25. Don't miss this last opportunity to experience the exhibition!
Learn more about Luján and Sterling's practices, their growth in the studio residency program at Bakehouse, and their solo exhibitions currently on view!
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Join NSU Art Museum Fort Lauderdale every Sunday at 2pm for a public tour and discover the stories, artists and ideas behind the works on view. Tours are included with museum admission.
Make it your weekly ritual. Members enjoy unlimited free admission all year long.
Plan your visit at nsuartmuseum.org/join.
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| "The Things That Stay" |
Experience the opening of artist Angelica Reisch's The Things That Stay, on view at Miami International Fine Arts (MIFA) from April 9 through May 22, 2026, with an Opening Reception taking place on Thursday, April 9th from 6–8pm.
The exhibition brings together drawings in graphite and oil pastel alongside archival audio recordings, exploring memory, domestic space, and the quiet traces of presence that linger after we leave a place. The work depicts interior environments — bedrooms, kitchens, hallways — rendered not as documentation but as psychological spaces shaped by emotion and recollection. The exhibition is curated by Pamela Solares and is funded in part by a grant from South Arts.
Angelica Reisch is an artist based in St. Petersburg, Florida. Her work has been supported by a FY26 Artist Creative Practice Grant from South Arts, the Mercedes-Benz Financial Services Artist Award, a Nasher Sculpture Center Artist Microgrant, and grants from the Dallas Museum of Art and the Vermont Studio Center.
Join Archival Feedback for a talk on Bakehouse Freestyle 100, moderated by René Morales, exploring Miami’s history through sound and place at the Bakehouse Art Complex in Wynwood on Wednesday, March 25th from 6 - 8pm. This Event is FREE & Open to the Public, RSVP HERE.
Miami-based artist duo Archival Feedback (Emile Milgrim and Thom Wheeler Castillo) will be joining BAC for an artist talk on Bakehouse Freestyle 100, a recently commissioned sound installation created on the occasion of Bakehouse Art Complex’s 40th anniversary. Moderated by Senior Curatorial Fellow René Morales, the conversation will explore the artists’ approach to sound as a tool for engaging history, landscape, and collective memory.
Centered on Bakehouse’s 100-year-old Art Deco industrial building and its surrounding neighborhoods, Bakehouse Freestyle 100 weaves together two distinct sonic layers: “The Mediated Voice,” a collage of archival recordings tracing the evolution of 20th-century media, and “The Sound of Place,” a composition of environmental field recordings capturing the rhythms of the region. Together, these elements create a dynamic interplay between narrated history and the lived, ambient textures of change.
Drawing from regional archives and digital repositories, the work reflects on Miami’s cultural legacy while holding space for its future. This talk offers an opportunity to hear directly from the artists about their process, research, and ongoing exploration of sound as a means of deep listening and place-based inquiry.
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| Contemporary Artist Christian Burnham’s Rebirth. |
Experience contemporary artist Christian Burnham in an exhibition at ArtExpo New York, Booth S307 at Pier 36 NYC from Thursday, April 9th through Sunday, April 12th. Christian Burnham is a contemporary artist, born in 1973 in Eastbourne, England, and currently based in Hasselt, Belgium. His work fuses stencil art with symbolic realism, serving as both a personal testimony and a reflection on transformation. In 2025, his work was exhibited internationally at the XV Florence Contemporary Biennale and Spectrum Miami, where he was awarded Best New Exhibitor, marking an important milestone in his growing presence on the international art stage. Follow Christian Burnham on Instagram @christianburnhamart
Christian Burnham is a contemporary artist, born in 1973 in Eastbourne, England, and currently based in Hasselt, Belgium. His work fuses stencil art with symbolic realism, serving as both a personal testimony and a reflection on transformation. In 2025, his work was exhibited internationally at the XV Florence Contemporary Biennale and Spectrum Miami, where he was awarded Best New Exhibitor, marking an important milestone in his growing presence on the international art stage.
Subject Matter & Vision
Burnham’s art is driven by an innate creative impulse, functioning as both a meditative practice and a form of storytelling. His work strives to evoke emotion, raise awareness, and offer a voice for recovery. He explores the complexities of addiction, healing, and the human experience, frequently delving into themes of spirituality, philosophical questions about reality, and the influence of the pre-conditioned mind. These inquiries form the foundation of his artistic inspiration.
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| 'Belladonna' |
Technique & Process
His artistic process merges street art aesthetics with fine art craftsmanship, using spray paint, acrylics, markers, and Japanese inks in combination with meticulously designed stencils. He works across a variety of surfaces, including canvas, wood, and metals. A vital part of Burnham’s process involves setting up installations of objects, which he photographs to use as references for his compositions. In other instances, he combines several images or draws by hand to construct a scene, later refining the imagery digitally in Illustrator and/or Photoshop. The finalized designs are then translated into hand-cut stencils used in the finished works.
His approach balances controlled precision with spontaneous expression, allowing the artwork to evolve organically while maintaining a strong conceptual focus. His development as an artist has been shaped by personal transformation, experimentation, and a continuous search for new modes of expression. From his earliest works to his most recent pieces, Burnham has consistently pushed the boundaries of stencil art, evolving both technically and conceptually.
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| 'Resistance' |
The Angels & Demons Series
A pivotal moment in his artistic journey came with the Angels & Demons series, which introduced three-dimensional elements and layered symbolic storytelling. Influenced by his recovery from addiction, Burnham began incorporating cut glass bottles into his work, sealing them with epoxy resin to create sculptural features within his paintings. As part of the process, the bottles were refilled with alcohol, symbolically sealing it away forever. Some were adorned with angel wings to signify redemption, while others bore demon wings to represent struggle and temptation. This series marked not only a technical innovation but also a deeply personal meditation on addiction, resilience, and transformation.
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| Contemporary Artist Christian Burnham |
Ongoing Practice
Burnham continues to seek moments of discovery in his creative process—those rare instances when a piece surpasses expectation and reveals something unexpected. His work is in constant evolution, combining symbolism, texture, and unconventional materials to create emotionally resonant visual narratives. He remains dedicated to exploring the intersection of street art, fine art, and conceptual storytelling.
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| 'Fragile' |
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| 'Fragile' side view |
Celebrate Women's History Month at The Contemporary Art Modern Project (CAMP Gallery) enjoying their March exhibition in collaboration with Red Thread Art Studio Miami, Under The Red Tent, on view through April 26, 2026. An immersive fiber exhibition that brings together 20 artists whose practices engage thread and textile as tools of storytelling, connection, and resistance, curated by Aurora Molina, founder of the Red Thread Art Studio Miami.
The gallery celebrated the opening of Under The Red Tent with a special brunch Sunday, March 8th, where the gallery will be serving catering by Rodilla and special drinks by The Sipistry. Red Thread Art Studio Miami was founded by fiber artist Aurora Molina. Under The Red Tent will be on view through Sunday, April 26th.
The Pérez Art Museum Miami (PAMM) invites you to join South Florida’s most influential leaders for an inspiring afternoon of meaningful connections, exclusive gallery access, and a gourmet lunch curated by Constellation Culinary Group. PURCHASE TICKETS HERE.
The Shop at The Bass has transformed into its biggest and most ambitious edition yet!
Visit the Art Pop-Up at The Shop, extended by popular demand, now through December 28! Featuring works by over 30 artists alongside a curated selection of one-of-a-kind gifts, design objects, and books.
More than a shop, this exciting concept shop is an inspiring space to discover art up close, connecting with objects that carry meaning and stories. Every detail is curated to turn the simple act of buying into an experience, blending creativity, culture, and conversation.
Click HERE to plan your visit!
Generous support provided by Rehaus and Topo Chico.
You're invited to experience Zero Empty Spaces Open Studios at The Design Center of the Americas (DCOTA) on Friday, November 21st from 4-7pm for an inspiring evening of creativity & connection. Explore the studios of resident artists, discover their incredible work, ask questions, and even start your own art collection! Enjoy art classes, live demonstrations, and the chance to commission custom pieces. Don't miss this unique opportunity to support local talent in our community and immerse yourself in the vibrant world of art. This Event is Free & Open to the Public | RSVP HERE.
This studio is located inside the Design Center Of The Americas. The easiest way to locate the space is to park at the *MAIN ENTRANCE* in the center of the building near the overhang and the roundabout. Upon walking into the lobby, you will walk to the conceirge desk at the end of the lobby. The Zero Empty Spaces studio space is located down the hallway on the left hand side when the hallway opens to Atrium B.
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