Showing posts with label textile art. Show all posts
Showing posts with label textile art. Show all posts

Sunday, September 6, 2026

What Does It Mean to Inhabit a Body Shaped by Illness? Dana Donaty’s “Florida Blue, The Revenue Stream”

 

Dana Donaty's ‘Florida Blue, The Revenue Stream’

South Florida contemporary artist Dana Donaty explores illness, women’s health, historical erasure, and the systems that shape how women’s bodies are understood through a new punch needle work created during her time at the Chanorth Art Residency. 

What does it mean to inhabit a body shaped by illness?

For artist Dana, that question has become the starting point for an ongoing investigation into the ways illness can transform not only the body, but also the experience of time, relationships, and belonging.

Florida Blue, The Revenue Stream, completed in 2026 during Dana’s time at the Chanorth Art Residency, is part of a new punch needle series exploring those questions through material, research, grief, rage, and memory.

Over the past decade, illness has changed far more than Dana’s body. It has altered how she experiences the world around her, prompting a deeper investigation into the history of women’s health, medicine, and the ways women have been understood—or misunderstood—within medical and social systems.

“I started there, but the research kept expanding,” Dana explains.

As she moved through those histories, she began to recognize that experiences that had initially felt deeply personal were also part of a much longer lineage of exclusion, dismissal, and erasure.

And, unexpectedly, that realization brought some comfort.

Doctors have often made it sound as though she is uniquely complicated rather than acknowledging the limits of medical knowledge and research.

“Different century. Same shit.”

What began as an attempt to make sense of her own experience has therefore become a broader investigation of the historical and systemic forces that shape how women’s bodies are understood, cared for, and remembered.


Dan Donaty's ‘Florida Blue, The Revenue Stream’ Side 2


Florida Blue, The Revenue Stream

Created in 2026, Florida Blue, The Revenue Stream combines acrylic yarn, Marino wool, Mongolian cashmere, pink mirrored plexiglass, twisted nylon mason line, grief, and rage.

The work unfolds across two sides.

Side 1 is grounded in the present, where illness can pull the body into systems that manage rather than care. Here, the river becomes a figure for the extractive flow of contemporary healthcare.

Side 2 turns toward the past, tracing a lineage from women persecuted for their healing practices to the institutions that continue to govern women’s health today.

Together, the two sides ask a larger question: How do the currents of history move through women’s bodies?

Through the language of fiber and the physical labor of punch needle, Dana brings together personal experience, historical research, material memory, and social critique. The resulting work becomes both an exploration of her own lived experience and an examination of the larger systems that have shaped women's relationships with medicine, authority, care, and the body.


Dana Donaty Studio


A Continuing Investigation

Rather than offering a single conclusion, Florida Blue, The Revenue Stream forms part of Dana’s continuing investigation into women’s health and the historical structures surrounding it.

The work connects the intimate realities of illness with a broader cultural history, asking viewers to consider what is remembered, what is erased, who is believed, and what happens when institutions continue to govern bodies without fully understanding them.

Florida Blue, The Revenue Stream is currently included in A Pixel Ring, an online exhibition presented by Field Projects Gallery and curated by @herlovelyface, @jacobrhodes74, and Elizabeth Harris.

View the exhibition:
www.fieldprojectsgallery.com/a-pixel-ring

Florida Blue, The Revenue Stream, 2026
Acrylic yarn, grief, Marino wool, Mongolian cashmere, pink mirrored plexiglass, rage, twisted nylon mason line.


Dana Donaty's ‘Florida Blue, The Revenue Stream’ detail pic


Wednesday, November 5, 2025

The Contemporary Art Modern Project (CAMP Gallery) presents an Artist Talk & Workshop featuring: Emily Peters, Rebecca White & Kátia Bandeira

 


Art lovers, collectors and art-goers are cordially invited to enjoy an Artist Talk & Workshop featuring Emily Peters, Rebecca White & Kátia Bandeira on Saturday, November 8th from 2 – 4:30pm. Experience an Artist Workshop & a Round Table Talk at The Contemporary Art Modern Project (CAMP Gallery) where guests can tour the exhibition and enjoy one of many in-gallery conversations and workshops taking place during the gallery’s annual fiber show, Don’t Be Absurd. Featuring a round table talk featuring Emily Peters, Rebecca White & Kátia Bandeira.


As a part of the latest edition of the gallery’s annual fiber show, Don’t Be Absurd, CAMP is hosting their second round table talk with Emily Peters, Rebecca White & Kátia Bandeira. Art lovers and collectors are invited to enjoy an insightful discussion involving the artist’s creative practice and process interpreting this year’s theme into their pieces. This Event is FREE & Open to the Public | RSVP HERE.


About Rebecca White (b. 1985, American)

Rebecca White works in diverse media, including painting, fiber, and participatory / interactive works; the conceptual underpinnings of her practice frequently connect to mythology, energy work, and esoteric notions such as alchemy and imagined languages. Her work often speaks to issues that have societal relevance, centering the impact these occurrences have on our collective human spirit. She frequently incorporates found natural materials, such as bones, wild clay, branches, into her artworks and installations.



After a brief guided free movement exploration to open the body’s energies, we welcome you to make marks using your choice of graphite or marker on paper, or simple textile manipulations like ripping, scrunching, layering or folding, or earth pigments on textiles using a mineral pigment and soybean ink ‘mud’.With soundscapes and our intuition as our guides, we’ll make marks and then rest deeply in a live sound immersion featuring wind gong, crystal singing pyramid, wayunki and gentle shakers.


Please bring any textiles or fibers you would like to repurpose, along with, scissors, brushes, sponges or stamps, and a yoga mat or blanket for the sound bath.


About Kátia Bandeira (b. 1968, Brazilian)
Kátia Bandeira de Mello is a poet, fiction writer and visual artist born in Rio de Janeiro. Her figurative piece is connected to the Theater of the Absurd and inspired by Franz Kafka’s A Hunger Artist short story as well as elements taken from the texts of Beckett, Camus, Beauvoir and Saramago. The prevalent issue of aesthetics and hedonism in Miami, and the world at large contrasts with the food crisis, the hunger versus obesity paradox that assails the twenty first century in an unprecedented wave.


The Contemporary Art Modern Project’s 7th Edition of Women Pulling at The Threads of Social Discourse: Don’t be Absurd. The exhibition opened on Friday, Oct.17 with an artist and collector preview. Over 100 years ago Søren Aabye Kierkegaard set the stage for society to look beyond one’s own concerns with the start of Existentialism. Absurdism emerges after the Second World War as the world grappled with the sense of the meaninglessness of life due to an overwhelming indifference for humanity and the suffering of others. For this year’s edition of: Women Pulling at The Threads of Social Discourse, and Guests: Don’t Be Absurd, the exploration of Absurdism is done through the hands of fiber artists. Artists were asked to refer to works by: Albert Camus, Franz Kafka, Simone De Beauvoir, Samuel Beckett, and Jose Saramago and interpret the writings into circular fiber responses. This exhibition is on view October 17 — December 20, 2025. The run of the exhibition will include several in-gallery art talks, workshops and conversations about fiber art with both artists and curators. CAMP Gallery is located in North Miami at 791-793 NE 125 Street in Miami, Florida 33161. The gallery is open Tuesday through Saturday, from 11am – 5pm. Private visits can be scheduled by emailing hello@thecampgallery.com or calling 786-953-8807.


About Emily Peters

Emily Peters departs from the nihilistic take of Absurdist philosophy in her fiber response to the literary classic,The Myth of Sisyphus by Albert Camus. Her final work expresses the heroic journey through earth's pigments and copper.



 

Friday, October 31, 2025

Must-See Exhibition! The Contemporary Art Modern Project’s 7th Edition of Women Pulling at The Threads of Social Discourse: Don’t be Absurd

 


The Contemporary Art Modern Project (CAMP Gallery) 7th Edition of Women Pulling at The Threads of Social Discourse: Don’t be Absurd opened October 17th at CAMP’s North Miami gallery with an artist and collector preview. 


Over 100 years ago Søren Aabye Kierkegaard set the stage for society to look beyond one’s own concerns with the start of Existentialism. Absurdism emerges after the Second World War as the world grappled with the sense of the meaninglessness of life due to an overwhelming indifference for humanity and the suffering of others. For this year’s edition of: Women Pulling at The Threads of Social Discourse, and Guests: Don’t Be Absurd, the exploration of Absurdism is done through the hands of fiber artists. Artists were asked to refer to works by: Albert Camus, Franz Kafka, Simone De Beauvoir, Samuel Beckett, and Jose Saramago and interpret the writings into circular fiber responses. This exhibition is on view October 17 — December 20, 2025.


The run of the exhibition will include several in-gallery art talks, workshops and conversations about fiber art with both artists and curators. 


Guests will enjoy the gallery's upcoming Artist Workshop featuring Laetitia Adam-Rabel, and a Round Table Talk featuring Janet Mueller & Amy A. Llanes on Saturday, November 1st at The CAMP Gallery from 2-4:30pm for an insightful discussion involving the artist's creative practice and process interpreting this year's theme into their pieces. RSVP HERE.


This phenomenal exhibition features 100+ artists and works, truly a must-see! 

Participating Artists:
Adriana Carvalho, Aida Tejada, Ainaz Alipour, Alexa Mac Crady, Alice Raymond, Alison Stein, Allison Green, Amy Llanes, Amy Putman, Angelica Bergamini, Ana Garces Kiley, Andrea Jablonski, Andrea Venero Carrasco, Angela Franklin, Anji Woodley, AnneIsabel Wenhammer, Annie Lindberg, Atelier Lustig, Badru Temitayo, Barbara Ringer, Beth Toledo, Brenda Kuong, Brittany Kiertzner, Camille Eskell, Camille Nozay, Carlos Gamez de Francisco, Dana Donaty, Daniela Reis, David Zalben, Debora Rosental, Deborah Simon, Eden Quispe, Eileen Braun, Eileen Hoffman, Elham Shafael, Emily Peters, Eva Petrič, Evania Sempeles, Ewa Dąbkowska, Fernanda Froes, Frances Melhop, Francisca Rodillo, Fruma Markowitz, Georgia Frambis, Gin Stone, Giulia Sanambrogio, Han Cao, Hannah Banciella, Holis Hickerson, Hou Guan Ting, Jacqueline Myers-Cho, Jamie Zimchek, Janet M Muller, Jeanne Ciravolo, Joan Wheeler, Joanne Steinhardt, Jody Mac Donald, Judy Polstra, Karen Perry, Katia Bandeira de Mello, Katika, Kimberly Bentley, Laetitia Adam Rabel, Laura Marsh, Linda Fernandez, Lindsay Overbey, Lisa Rockford, Lottie Emma, Lydia Viscardi, Mabelin Castellanos, Macarena Zilveti, Madeline Thoman, Madison Hendry, Margaret Roleke, Maria Claudia Brigido, Marine Fonteyne, Marsha Borden, Meghan Udell, Melissa Campbell, Melissa Zexter, Michela Martello, Mila Hajjar, Molly Gambardella, Monica Czukerberg, Mychaelyn Michalec, Nabila Valera, Nan Robarge, Nancy Tobin, Natale Cree Adgnot, Natalia Schonowski, Nicole Durham, Nina K Ekman, Ola Rondiak, Orsolya Illes, Paula Jacobo Alonso Leon, Rafael Montilla, Rebecca White, RemiJin Camping, Renata Daina, Rosa Henriquez, Sarah Laing, Sascha Mallon, Sherry Davis, Silvana Soriano, Simona Fantappiè, Sonja Czekalski, Sophie Papiau, Toni Thomas, Micheal Sylvan Robinson, Uta Kreher, Vanda Berecz, Valeria Salinas and Yochi Yakir-Avin.



Thursday, March 6, 2025

CAMP Gallery in North Miami presents 'Asking For a Friend', a group mixed media and textile exhibition & 'Between Stillness and Growth', a solo exhibition showcasing the work of artist Jan Brandt


The Contemporary Art Modern Project is pleased to announce the opening of Asking For a Friend, uniting four artists over the age of fifty: Lydia Viscardi, Silvana Soriano, Heidi Hankaniemi, and Joan Wheeler. The exhibition borrows from the familiar mechanism of an advice column—with a twist—using distinct bodies of work to explore questions of love, pride, fear, and autonomy as a form of allyship and emotional community-building.

Friday, March 7th from 6:30-9pm The Contemporary Art Modern Project (CAMP Gallery) is ready to welcome March with two new exhibitions running simultaneously from March 7–April 4, 2025. The gallery will be hosting an opening reception for both exhibitions, all are welcome, this event is Free & Open to the Public. RSVP HERE.

The tradition of an advice column evokes a particular type of desperation, namely to resolve a problem with the guidance of an objective, verified advice-giver. The questions posed in these columns range from the practical to the existential— laundering, gardening, housekeeping, conflict, loneliness, and self-esteem. Is it possible to get blood out of white fabric? How can I improve my relationship with my mother? What should I say to my awful neighbor the next time she says my shoes are ugly? How do I combat the persistent, existential dread coursing through my veins? 

Asking For a Friend celebrates the ways in which women take care of one another, explicitly pushing past the woes of a blossoming generation to be inclusive of trans-generational perspectives and experiences. The exhibition functions as a space wherein one can navigate personal and communal hardships: how to grieve; celebrate small victories; find courage; get rich; start over; accept reality; dream.  

At the same time, however, this exhibition is a lament for the cultural shift away—not from advice columns in essence, but from communal wisdom toward hyper-independence, isolating entire networks of women from community-oriented practices. Columns of the past featured tips to better one’s housekeeping, sex life, or beauty, and were, admittedly, sometimes perpetuating harmful, gendered cultural attitudes. Nonetheless, the idea of an advice column speaks to an intellectual and spiritual bond between women, especially between women in different stages of life; these relationships do exist for most women, and are often confined to the familial sphere.

Through garments, conceptual textile sculpture, object assemblages, and collaging, this exhibition takes root in a need  for considerate and compassionate pathways toward learning. Asking For a Friend invites visitors to step away from doomscrolling, internet rabbit holes, and internal monologues of quiet panic to find sanctuary in shared experience—within communities, within art spaces, and within one another.

Bring a question. Offer it up to the artists, to the curator. We’ll hold it together.

A note from the curator: The CAMP Gallery’s programming for this exhibition will feature submitted queries. Questions you have for each artist will be shared with them; you can keep it anonymous, or share your name. 

Statement and curation by Maria Gabriela Di Giammarco.



The Contemporary Art Modern Project also presents Between Stillness and Growth, a solo exhibition showcasing the work of artist Jan Brandt, running from March 7 - April 4. Occupying the gallery’s incubator space, Brandt’s work explores the tension between bloom and decay, inviting viewers to reflect on life’s unpredictable cycles of movement and stagnation. 

Brandt’s Hothouse series shifts fluidly from representation to abstraction, as repeated elements unfold into patterns. She infuses her work with a playful, and deeply evocative materiality, through materials such as puffy paint and glitter, creating a dynamic tension where organic forms pulse with life while holding quiet interruptions. Through these textures, Brandt conjures a sense of nostalgia, tapping into child-like wonder and the joy of making while challenging the hierarchy of materials within contemporary art.

In this exhibition, vibrant, maximalist compositions generate a sense of kinetic energy, counterpoised  by moments of stillness—pauses in mark-making. By returning to the simplicity of life’s cyclical patterns, Brandt’s works create a space for quiet reflection, offering the viewer comfort in rhythmic repetition. The pauses allow the eyes to rest before drawing them back into the work's unfolding dynamic, reflecting a surrealist life cycle where chaos and calm coexist and invite viewers to slow down, and immerse themselves in the process.

Between Stillness and Growth suggests we embrace the tension before expansion—transition. It also encourages reflection on how this interplay of texture, color, and form evokes feelings of connection, nostalgia, and self-reflection, guiding us through both the turbulence and serenity of the human experience.

Statement and curation by Amy Arechavaleta



Tuesday, January 21, 2025

The Contemporary Art Modern Project (CAMP Gallery) Announces Open Call for this year’s Fiber Show!

 


The Contemporary Art Modern Project (CAMP Gallery) is beyond pleased to officially announce their open call for this year’s fiber show!

CAMP Gallery invites fiber artists to submit proposals for the 7th edition of their annual exhibition, Women Pulling at The Threads of Social Discourse: Don’t be Absurd, opening October 10, 2025. The exhibition will explore absurdism, referencing Franz Kafka, Albert Camus, Simone de Beauvoir, Jose Saramago and/or Samuel Beckett. We ask that artists submit a proposal first, detailing how their piece compliments the chosen text, with an accompanying sketch and/or render.

✨ Please do not make any pieces before notice of acceptance. ✨

For a full list of details, and links to the gallery's reference materials, see below: and see website for more information: The Camp Gallery.

PROPOSAL PROCESS

Artists are required to be familiar with one (or more) of the texts listed above, and respond directly to their respective subject matter. We have included free links to make the material accessible; all rights retained by respective authors, publishers, and host sites.

We ask that artists submit a proposal first, detailing how their piece compliments the chosen text, with an accompanying sketch and/or render. Please do not make any pieces before notice of acceptance.

Artists are required to explore their response through fiber/textiles, and associated techniques. Artists may use threads, weaving, tapestry, embroidery, tufting, etc. Works can be abstract, figurative, geometric, etc.

Artists can propose one or more pieces ranging in size from 12 inches diameter, 18 inches diameter, 24 inches diameter, 30 inches diameter. We will also accept 2 works 40 inches diameter. All works will be pinned in the gallery, so we ask that proposals exclude frames; embroidery hoops, however, are acceptable. 

 

Please note that this is a Call for Fiber Art; proposals must include practices related to fiber art, whether or not artists’ practices center the medium.

 

Proposals must be submitted to xoxo@thecampgallery.com with artist’s name and “Don’t Be Absurd” in the subject line.


PERTINENT DATES AND DEADLINES

Last day to submit proposals for large-scale work | March 15, 2025

Last day to submit proposals | April 15, 2025

Notice of acceptance | Rolling

Progress updates | July 15, 2025

Artwork information and final images | August 15, 2025

Last day for artwork receipt | September 18, 2025

Installation | October 6-9, 2025

Opening reception | October 10, 2025

Final day to view exhibition | December 20, 2025

 

Friday, October 18, 2024

You are cordially invited to attend an Artist Talk at The Contemporary Art Modern Project (The CAMP Gallery) on Saturday, October 19th from 2 - 5pm featuring artists Laeticia Adam-Rabel, Kim Moore, Rosa Henríquez and more.

Saturday Tea Time at CAMP

A heartfelt thank you to everyone who attended our opening reception and curator talk, as your presence and enthusiasm set the stage for a powerful exhibition.

Join us from 2:00 to 5:00 PM, as we welcome artists Laetitia Adam-Rabel, Rosa Henriquez, and Kim Moore for a discussion on how their works challenge traditional narratives on women's rights and power, using fiber art to address themes such as political inequality, bodily autonomy, and the collective strength of women throughout history.

The first in a series of artist panels for our annual fiber exhibition, 77 Women Pulling at the Threads of Social Discourse: We Got The Power, invites you to make a habit of stopping by every Saturday, between 2-5pm for the next two months, for more in-depth conversations with featured artists and special guests!

Sign up below to RSVP for the artist talk.
RSVP HERE
“The Contemporary Art Modern Project’s interpretation, like many modern and post-modern interpretations, centers a markedly non-male, intersectional gaze... How do we go from the violence and harm inherent to misogyny, sexism, disenfranchisement—and a downright alienating male attitude that won’t quit—to a showcasing of the power of authentic unity, deliberately contextualized outside of it?”

—co-curator Maria Gabriela Di Giammarco

Fiber Programming: Saturday Tea Time

October 19

Artist Talk

featuring artists Laetitia Adam-Rabel, Kim Moore, and Rosa Henriquez
October 19<br>

October 26

Panel Discussion

featuring artists Pangea Kali Virga, Silvana Soriano, Valeria Montag, and art historian Angela Chaine
October 26<br>

November 9

Artist Talk

featuring artists Isabel Infante, and Janet M
Mueller
November 9<br>

November 23

Artist Talk

featuring artists Aida Tejada, Atelierlustig, and Adriana Carvalho
November 23<br>

Artist Spotlight: Liz Leggett

Liz Legget
How to Cut a Pig
Oil stick, Acrylic & Graphite on Paper
47 x 59 in.
USD$5600
This month, we're shining a spotlight on Westport-based artist Liz Leggett, known for her dynamic, process-driven abstractions that pulse with texture and energy. Leggett’s work is an exploration of balance and control, leaving the interpretation open to the viewer’s visceral response. Discover more about Liz’s creative process and her newest body of work in our full interview below.

"The marks are a channel for me to get my inner thoughts and emotions out, so the lines to me are often tracings of tension and frustration but also of catharsis and energy... I love working in flesh tones and pinks and hot pinks–there is no doubt an association with these colors that scream female, and I have no problem with that!"

—Liz Legget
READ FULL INTERVIEW

A Selection for Your Collection

Even More Fiber
This week, The Contemporary Art Modern Project presents a curated selection of fiber works by some of the artists from our roster, many of whom are currently featured in our ongoing fiber exhibition.
Eden Quispe<br>

Eden Quispe

The Seed, 2022

Stitched and Painted Textiles
134.6 x 119.4 cm.
1,100 USD
Margaret Roleke<br>

Margaret Roleke

Caution, Caution, Caution, 2023

Unique Silkscreen with Collograph
76.2 x 55.9 cm
675 USD
Mendel Treitel

Rita Valley

Sequestration (Made You Squeal Like A Pig), 2015

Pleather, Camouflage Printed Corduroy, Polyester and Sequins
188 x 160 cm
3,500 USD
Sooo-z Mastropietro<br>

Sooo-z Mastropietro

Thread Baron, 2015

Cotton Lycra, Thread, Ribbon, and Glue on Canvas
30.5 x 30.5 cm
650 USD
791-793 NE 125th St.
North Miami, Florida