IT SEEMS LIKE A SHRILL CHILDREN'S BIRTHDAY PARTY AMONG FOLKLORIC ALIEN FRIENDS. BUT, MAYBE THEY ARE JUST MASKS AND UNDERNEATH ARE ORDINARY OUTSIDERS, LOSERS AND HOPEFULS. A MAN WALKS HIS TURTLES, A WOMAN HER TAPIR. OTHERS HAVE BIG BUTTS OR CARRY BUMPS LIKE FROM A HERNIA IN FRONT OF THEM. ANOTHER GROWS A HAND ON HIS SHOULDERS INSTEAD OF A HEAD. THERE ARE HULKING BODYBUILDERS AND ZOMBIE SOCCER PLAYERS. GNOMES, DWARVES, OR BODIES AS LONG AS TOTEM POLES. THIS IS HOW MICHAEL SWANEY BUILDS MOST OF HIS BODIES. THE TOTEM POLE, A MONUMENTAL SCULPTURE OF NATIVE AMERICAN CULTURE PRIMARILY IN NORTH AMERICA, CONSISTS OF TREE TRUNKS WITH CARVINGS AND PAINTINGS. IN A PILED COMPOSITION, THE INDIVIDUAL ANIMALS AND SYMBOLS TELL STORIES OF THE DECEASED AND THEIR FAMILIES. SWANEY'S FIGURES EXHIBIT A SIMILAR COMPOSITION. THEIR INDIVIDUAL PIECES OF CLOTHING AND BODY PARTS PILE UP LIKE BUILDING BLOCKS. THE LANGUAGE OF FORM SEEMS CHILDLIKE AND NAÏVE, BODIES ARE BUILT LIKE STILTS, PERHAPS A PUSH CAUSES THEM TO COLLAPSE LIKE A DOMINO GAME. THEN THEY WOULD HAVE TO BE BUILT UP AGAIN FROM SCRATCH, LIKE PUPPETS OF A CHEERFUL OCCULTISM.
MICHAEL SWANEY IS A SELF-TAUGHT PAINTER. NEVERTHELESS, HE IS NOT CONSIDERED AN OUTSIDER, AS IN MODERN TIMES THE EXCLUDED, THE CRAZY, THE CHILDREN AND MEMBERS OF FOREIGN, "EXOTIC" CULTURES WERE CALLED. SWANEY'S INSPIRATION, HOWEVER, LIES HERE, IN ART BRUT. OFTEN THE CHARACTERS BEAR NAMES OF THESE OUTSIDER ARTISTS. "HIS PICASSO" WAS ALOÏSE CORBAZ, SWANEY TELLS US. NEVERTHELESS, HE SAYS, HE IS A CHILD OF MASS MEDIA, OF POP AND EMOJI CULTURE, IN WHICH COMMUNICATION IS ABOUT BIG HEADS.
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