Tuesday, November 5, 2024

It's that time of year! Miami Art Week is right around the corner December 3-8, 2024

 


Miami Art Week December 3-8, 2024
Enjoy Art Basel Miami Beach and the line up of unique fairs orbiting Art Basel Miami Beach 2024



Experience the most prestigious art show in the North Americas, Art Basel Miami Beach at the Miami Beach Convention Center from Friday, December 6th through Sunday, December 8th, 2024.

Opening Hours
Private Days (by invitation only)

Wednesday, December 4, 2024, 11am to 7pm, First Choice VIP guests
Wednesday, December 4, 2024, 4pm to 7pm, Preview VIP guests
Thursday, December 5, 2024, 11am to 7pm, First Choice and Preview VIP guests
Thursday, December 5, 2024, 4pm to 7pm, Vernissage VIP guests

Public Days
Friday, December 6, 2024, 11am to 6pm
Saturday, December 7, 2024, 11am to 6pm
Sunday, December 8, 2024, 11am to 6pm

Running alongside ABMB at the convention center Design Miami/ takes place Tuesday, December 3rd through Sunday, December 8th, the global forum for design. Design Miami/ 2024 Opens to Members & Collectors on Tuesday, December 3rd.

Members Preview/11am—12pm & Collectors Preview/12pm—7pm.

Design Miami/ is more than a marketplace for design, where the world’s top galleries gather to present museum-quality exhibitions of twentieth and twenty-first century furniture, lighting and objets d’art. Each show balances exclusive commercial opportunities with progressive programming, exciting collaborations with designers and design institutions, panels and lectures with luminaries from the worlds of design, architecture, art and fashion, and unique commissions from the world’s top emerging and established designers and architects.

This year, Design Miami is thinking big. The fair celebrates its 20th edition, and on this landmark occasion, curatorial director Glenn Adamson has dreamed up the driving theme of Blue Sky, which explores the boldest leaps of imagination happening in design today. The fair’s program of collectible design galleries, curios, special projects and collaborations will highlight design as a risk-taking venture, with the potential to meet the challenges of the present.

shadow line

SCOPE Miami Beach

Art Miami & CONTEXT Fairs

AQUA Art Miami

Satellite Art Fair

UNTITLED, Miami Beach

Spectrum Miami & Red Dot Miami Fairs

Pinta Miami

Miami River Art Fair

Fridge Art Fair

VISIT MIAMI ART SCENE'S DECEMBER EVENT CALENDAR FOR ART FAIR INFO

Saturday, October 19, 2024

HistoryMiami Museum Announces New Exhibition:"Women Photographers – Shared Documentary Narratives"


HistoryMiami Museum Announces New Exhibition:"Women Photographers – Shared Documentary Narratives"


Featuring the work of Maggie Steber, Elisa Benedetti, Silvia Lizama,
RemiJin Camping, Peggy  Levison Nolan, and Sofia Valiente, the
photography exhibition opened on Friday, October 18th at HistoryMiami.

HistoryMiami Museum is excited to announce its photography exhibition, 'Women Photographers – Shared Documentary Narratives', on view from October 18, 2024 through May 4, 2025. Curated by Aldeide Delgado, this exhibition showcases the impactful work of three prominent South Florida photographers—Maggie Steber, Silvia Lizama, and Peggy Levison Nolan—alongside emerging talents Elisa Benedetti, RemiJin Camping, and Sofia Valiente.


Spanning from the 1980s to today, the exhibition offers a fresh perspective on Miami's sociocultural landscape, featuring the environment, home life, and documentary images that reflect the city's evolving identity.

Featured artists:

·      Maggie Steber: Known for her work with National Geographic and the Miami Herald, Steber captures the authenticity of Miami and the rich narratives of its diverse communities. 

·      Peggy Levison Nolan: Nolan's candid photographs capture the joys of raising seven children in working-class Miami, blending personal experiences with universal themes of family and love. 

·      Silvia Lizama: In her "Memories" series, Lizama reflects on her early experiences as a Cuban refugee, using damaged family negatives to create evocative, out-of-focus images. 

·      Elisa Benedetti: Through her series on Liberty City, Benedetti preserves and celebrates African-American heritage amid gentrification, highlighting resilience in everyday moments. 

·      RemiJin Camping: Using a Holga camera, Camping documents the fading farms of South Florida, evoking nostalgia and personal memories from her childhood in the Philippines. 

·      Sofia Valiente: In her project "Foreverglades," Valiente examines the significance of Belle Glade to South Florida, revisiting her archive to challenge notions of mastery and highlight overlooked narratives. 



Friday, October 18, 2024

You are cordially invited to attend an Artist Talk at The Contemporary Art Modern Project (The CAMP Gallery) on Saturday, October 19th from 2 - 5pm featuring artists Laeticia Adam-Rabel, Kim Moore, Rosa Henríquez and more.

Saturday Tea Time at CAMP

A heartfelt thank you to everyone who attended our opening reception and curator talk, as your presence and enthusiasm set the stage for a powerful exhibition.

Join us from 2:00 to 5:00 PM, as we welcome artists Laetitia Adam-RabelRosa Henriquez, and Kim Moore for a discussion on how their works challenge traditional narratives on women's rights and power, using fiber art to address themes such as political inequality, bodily autonomy, and the collective strength of women throughout history.

The first in a series of artist panels for our annual fiber exhibition, 77 Women Pulling at the Threads of Social Discourse: We Got The Power, invites you to make a habit of stopping by every Saturday, between 2-5pm for the next two months, for more in-depth conversations with featured artists and special guests!

Sign up below to RSVP for the artist talk.
RSVP HERE
“The Contemporary Art Modern Project’s interpretation, like many modern and post-modern interpretations, centers a markedly non-male, intersectional gaze... How do we go from the violence and harm inherent to misogyny, sexism, disenfranchisement—and a downright alienating male attitude that won’t quit—to a showcasing of the power of authentic unity, deliberately contextualized outside of it?”

—co-curator Maria Gabriela Di Giammarco

Fiber Programming: Saturday Tea Time

October 19

Artist Talk

featuring artists Laetitia Adam-Rabel, Kim Moore, and Rosa Henriquez
October 19<br>

October 26

Panel Discussion

featuring artists Pangea Kali Virga, Silvana Soriano, Valeria Montag, and art historian Angela Chaine
October 26<br>

November 9

Artist Talk

featuring artists Isabel Infante, and Janet M
Mueller
November 9<br>

November 23

Artist Talk

featuring artists Aida Tejada, Atelierlustig, and Adriana Carvalho
November 23<br>

Artist Spotlight: Liz Leggett

Liz Legget
How to Cut a Pig
Oil stick, Acrylic & Graphite on Paper
47 x 59 in.
USD$5600
This month, we're shining a spotlight on Westport-based artist Liz Leggett, known for her dynamic, process-driven abstractions that pulse with texture and energy. Leggett’s work is an exploration of balance and control, leaving the interpretation open to the viewer’s visceral response. Discover more about Liz’s creative process and her newest body of work in our full interview below.

"The marks are a channel for me to get my inner thoughts and emotions out, so the lines to me are often tracings of tension and frustration but also of catharsis and energy... I love working in flesh tones and pinks and hot pinks–there is no doubt an association with these colors that scream female, and I have no problem with that!"

—Liz Legget
READ FULL INTERVIEW

A Selection for Your Collection

Even More Fiber
This week, The Contemporary Art Modern Project presents a curated selection of fiber works by some of the artists from our roster, many of whom are currently featured in our ongoing fiber exhibition.
Eden Quispe<br>

Eden Quispe

The Seed, 2022

Stitched and Painted Textiles
134.6 x 119.4 cm.
1,100 USD
Margaret Roleke<br>

Margaret Roleke

Caution, Caution, Caution, 2023

Unique Silkscreen with Collograph
76.2 x 55.9 cm
675 USD
Mendel Treitel

Rita Valley

Sequestration (Made You Squeal Like A Pig), 2015

Pleather, Camouflage Printed Corduroy, Polyester and Sequins
188 x 160 cm
3,500 USD
Sooo-z Mastropietro<br>

Sooo-z Mastropietro

Thread Baron, 2015

Cotton Lycra, Thread, Ribbon, and Glue on Canvas
30.5 x 30.5 cm
650 USD
791-793 NE 125th St.
North Miami, Florida



Friday, October 11, 2024

#CallToArtists --> Courtside Apartments II + Rainbow Village I Deadline to submit qualifications: Monday, October 21st

 


Project Name: 
Courtside Apartments, Phase II + Rainbow Village, Phase I 

Overview: Through Miami-Dade County’s Department of CulturalAffairs, Art in Public Places program, 1.5% of the cost of construction on public land is dedicated to the commissioning of public art. This request for qualifications is for professional artists to commission public art. The selected artist(s) will design unique artwork(s) that will contribute to the identity of this facility and engage employees, visitors and passers-by in unexpected and delightful ways. 

Owner: Miami-Dade County Department of Cultural Affairs and Miami-Dade Public Housing and Community Development Department 

Partners: Corwil Architects Housing Trust Group (HTG) Zyscovich Architects, Inc.; Kimley-Horn and Associates, Inc. Witkin Hults + Partners Budget Courtside Apartments II: $225,000 Rainbow Village Ph I: $540,000 

Location: Courtside | 1600 NW 3rd Avenue, Miami FL 33136 Rainbow | 2000 NW 3rd Avenue Miami FL 33127 Eligibility Open to professional visual artists or artist-led teams based in south Florida. Artist based in south Florida live and create works of art in the region for a sustained period of time on a regular basis. 

How to Apply Deadline: Monday, October 21, 2024
•Up to 10 samples of completed work 
•CV - Resume 
•Artist Statement Applications are made on Submittable. 

To Apply, Visit Miami-Dade Art in Public Places Call to Artists Page: https://miamidadepublicart.org/app/opportunities/calls-to-artists.page

Thursday, September 26, 2024

NSU Art Museum Fort Lauderdale Receives Monumental Gift of Christo and Jeanne-Claude Surrounded Islands Documentation Exhibition


Premiere Exhibition of New Acquisition: February 23, 2025

NSU Art Museum Fort Lauderdale is thrilled to announce that it is now “Home to Christo and Jeanne-Claude’s Surrounded Islands.” The museum will premiere its first exhibition of this transformative gift from the Christo and Jeanne-Claude Foundation in February 2025, which includes over 43 preparatory drawings and collages created by Christo, as well as photographs and photo murals, engineering surveys, environmental studies, permits, correspondence, original components such as sections of the pink fabric, scale models and other archival documents that trace the history of this project.

 

“The Christo and Jeanne-Claude Foundation is delighted to designate the NSU Art Museum Fort Lauderdale, part of Nova Southeastern University, as the permanent home for the Surrounded Islands documentation exhibition,” said Karin J. Barkhorn, President of Christo and Jeanne-Claude Foundation. “The museum's dedication to exploring topics that deeply connect with the South Florida community and its commitment to fostering meaningful discussions through scholarly research align with the ethos of Christo and Jeanne-Claude’s art. We are particularly excited that the museum will permanently display key sections of this historic exhibition, ensuring that the legacy of Surrounded Islands continues to inspire awe for generations to come.” 


Following the passing of the artist duo, Christo V. Javacheff (b. 1935, Gabrovo, Bulgaria; d. 2020 New York, NY) and Jeanne-Claude Denat de Guillebon (b.1935, Casablanca, Morocco; d. 2009, New York, NY), NSU Art Museum Fort Lauderdale was chosen as guardian of the archive for the definitive landmark installation, Surrounded Islands: Biscayne Bay, Greater Miami, Florida, 1980-83

Surrounded Islands put Miami on “The Map” in May 1983, not just the art map. Likewise, with this monumental gift NSU Art Museum Fort Lauderdale will be known world-wide as “The Home of Christo and Jeanne-Claude’s Surrounded Islands.” This gift places NSU Art Museum Fort Lauderdale in a league with the Smithsonian American Art Museum which acquired Running Fence, Sonoma and Marin Counties, California, 1972-76, The Documentation Exhibition in 2008, as well as the Centre Pompidou in Paris which owns the documentation exhibition of The Pont Neuf Wrapped, Paris, 1975-85 and the Reichstag Building, Berlin, which houses the Wrapped Reichstag, Berlin, 1995 Documentation Exhibition on permanent display. 


“A gift of the magnitude of the Surrounded Islands documentary exhibition to NSU Art Museum is incredibly significant. It marks much more than a gift; it’s an investment in the culture of our community and the future of the Museum,” said Bonnie Clearwater, Director & Chief Curator of NSU Art Museum Fort Lauderdale. “Surrounded Islands has undoubtedly left an indelible impact on South Florida and the art world by redefining the interaction between art, environment and public space. This contribution further solidifies Fort Lauderdale’s unique cultural offerings and provides an opportunity for visitors to experience the work of Christo and Jeanne-Claude for years to come.”

 

“This gift, allowing us to bring the Surrounded Islands Documentation Exhibition to NSU Art Museum Fort Lauderdale, will grant NSU students, faculty, and staff, as well as the public a unique opportunity to be part of the creative process that led to this innovative and culturally significant work,” said Dr. George L. Hanbury II, President and CEO of Nova Southeastern University. “Exhibits like this one attract more people of all ages to come in and experience the power of imagination, creativity, and dedication that comes through engaging with works like these. That’s how the NSU Art Museum not only helps to foster a lifelong passion for the arts, but also allows us all to come away with a bit of that artistic passion in ourselves, to enrich whatever else we may choose to do in our own lives.” 


“A gift of this caliber brings Fort Lauderdale’s cultural landscape to the next level, further positioning the city as a premier arts destination,” said Dean J. Trantalis, Fort Lauderdale Mayor. “As ‘Home of      Surrounded Islands’ our very own NSU Art Museum in Downtown Fort Lauderdale, will be a draw for art enthusiasts, visitors and our local community to experience our city’s vibrant cultural offerings.”


Despite the ephemeral nature of Christo and Jeanne-Claude’s projects, they considered each of these events as permanent artworks in the minds of viewers, since “an experience can never be taken away.” The artists piqued the curiosity of the broader community as well as the international art world with the extensive effort it took to realize their works. Documents, including correspondence, permits and environmental studies are preserved as part of the documentation exhibitions curated by the artists themselves.

Christo and Jeanne-Claude are historically recognized for their environmental artworks that questioned the very nature of art. Born on the same day, the pair met in Paris in 1958. They quickly established a lifelong creative and romantic partnership, making their first collaborative artwork together in 1961. Titled Stacked Oil Barrels and Dockside Packages, consisting of several stacks of large rolls of industrial paper covered with tarpaulins and secured with ropes, and a large number of oil drums horizontally stacked on the quay of Cologne Harbor. In making this simple shift within a mundane landscape, the artists both masked and revealed aspects of the environment that people typically become inured to and look past. Through these elementary acts, Christo and Jeanne-Claude gave the public the ability to see the shapes and scales that comprise their everyday views through new eyes. 

“Fort Lauderdale's dedication to arts and culture is a cornerstone of our community's identity. NSU Art Museum receiving the gift of Christo and Jeanne-Claude’s Surrounded Islands as a part of its permanent collection will reinforce that dedication and elevate our city's standing as a cultural art hub,” said Michelle Howland Sussman, Chair, Board of Governors, NSU Art Museum Fort Lauderdale.


Surrounded Islands was realized in May 1983, with 6.5 million square feet of floating woven polypropylene fabric to create striking pink margins around 11 islands along the length of Biscayne Bay. The installation remained in place for two weeks, though its realization took over three years and cost more than $3 million. The project was paid entirely by the artists through the sale of original works by Christo such as those included in this donation. The idea for the work originally started in 1980, when the artists were invited to create an artwork for the 1982 New World Festival of the Arts. Over the next three years they made proposals and obtained permits from agencies including: the Governor of Florida and the Cabinet; the Dade County Commission; the Department of Environmental Regulation; the City of Miami Commission; the City of North Miami; the Village of Miami Shores; the U.S. Army Corps of Engineers; the Dade County Department of Environmental Resources management, and they gained the cooperation of the many environmental activists and residents, working to ensure the protection of the marine wildlife that inhabited the islands’ shores.

“The Surrounded Islands project – certainly one of the most visually stunning projects that Christo and Jeanne-Claude ever did, continues to grow in the imaginations of art lovers worldwide. In addition, it also completely transformed Miami Beach into the glittering art scene that it is today. It seemed only natural that the documentary exhibition which the artists curated as the permanent archive of this project should go to NSU Art Museum Fort Lauderdale, an easy drive just north of the site where Christo and Jeanne-Claude installed the Surrounded Islands for those two extraordinary weeks in May of 1983. Recognized for its ambitious programs that focus on its unique collections, NSU Art Museum is a fitting home for this landmark project,” said Jonathan Fineberg, author of the career survey book: Christo and Jeanne-ClaudeOn the Way to the Gates, 20th Anniversary edition (which will be published in February 2025) and board member of The Christo and Jeanne-Claude Foundation.


While Surrounded Islands was installed for only two weeks, it left an indelible imprint on the history of South Florida. By donating the entire Surrounded Islands documentation exhibition to NSU Art Museum, the museum, the university, and Greater Fort Lauderdale will be elevated to a new level of worldwide significance, becoming a place of pilgrimage for the innumerable individuals who have been, and have yet to be, profoundly moved by this artwork. All materials used in Surrounded Islands were industrially recycled, aside from the documentation materials retained for the collection.