Wednesday, September 3, 2025

Explore the Sculptural Universe of Mylene Costa: Sculpting Time, Memory, and the Poetics of Form

 


In the contemporary art world, few sculptors evoke such a harmonious blend of strength and sensuality as Mylene Costa, a Brazilian artist whose work stands out for its feminine power, formal elegance, and refined aesthetic sensitivity. Her sculpture is both language and thought — an invitation to contemplate the body, form, and memory. Based in Sunny Isles Beach, Florida, and deeply rooted in her Brazilian heritage, Costa bridges cultures and emotions through organic, timeless structures that resonate on both local and global stages. Art collectors and aficionados are cordially invited to experience internationally recognized and award-winning sculptor Mylene Costa’s exhibition at White’s Art Gallery in Miami, with an Opening Reception on Saturday, September 20th, 2025, from 6 - 10pm. The gallery is located in the Bird Road Art District at 7428 SW 42nd Street in Miami, Florida 33155.


Impulso Vital, Bronze, 18.5 x 15 cm


Costa’s journey as an artist is as poetic as her sculptures. About two decades ago, she experienced what she describes as a nearly spiritual calling. While on a flight, she felt an overwhelming urge to mold clay—an impulse so strong that she purchased materials immediately upon landing. Within ten minutes, she created Impulso Vital, her first sculpture, marking the awakening of her artistic gift. Today, her body of work spans bronze, resin, and mixed-media sculptures, each piece born from the fusion of intuition and reflection, evoking questions of time, ancestry, human relationships, and the silence of expanding forms. Recognized for her unique artistic signature, Mylene has exhibited in cultural centers across Europe, Latin America, and Brazil, gaining increasing visibility in major contemporary art shows and attracting the attention of critics, curators, and collectors alike. Her award-winning works, such as Fenda do Tempo (2023), embody a dialogue between the tangible and the intangible, merging industrial techniques with a lyrical approach to shape and space. We recently had the pleasure to chat with the artist to learn more about her work and current projects:


Q – What is the best part about being an artist?

A – For me, the best part of being an artist is the connection with a three-dimensional sphere where I almost detach myself from matter in order to give life to another. This process brings lightness and a profound transformation, often leading me to reflect on the true needs of existence. Being in contact with the raw material, stripped of any interfering elements, reveals the essence of creation and the essential truth of being.


Q – Where does your inspiration come from, and how would you describe your work?

A – Everything can be a source of inspiration for me. A space, an object, a gesture, all have the potential to become art. Often, even the rhythm of a song guides the movement I bring into a sculpture or a painting. When the mind is freed from constraints, a fertile ground opens for intuition, and it is in this state that my creation unfolds: a dialogue between the visible and the invisible.


Q – How did you get started as an artist? Tell us about your background, influences, and the path you took to becoming an artist.

A – Art has always been present in my life in many forms. From an early age, I felt deeply connected to theater, dance, and painting, but for a long time these passions remained in the background, as something I simply admired. Yet when a gift truly exists, there comes a moment when it insists on being revealed, and for me, that awakening was profoundly transformative. About twenty years ago, while on a flight, I felt an uncontrollable urge to place my hands in clay. It was an intense, almost spiritual experience. As soon as I landed, before even arriving home, I stopped to buy clay, not fully understanding what was happening within me. In less than ten minutes, I created my very first piece, Impulso Vital, a work with echoes reminiscent of Rodin. In that moment, I understood my true calling and the depth of my artistic gift.


Incepta, Pigmented resin sculpture (originally in steel), 90 x 60 x 20 cm


Q – Which artist or artists (past and/or present) do you admire most and why?

A – I deeply admire artists such as Rodin, Modigliani, and Paul Cézanne, each with a singular contribution: Rodin for the expressive power of sculpture, Modigliani for the poetic elegance of his elongated human forms, and Cézanne for his transformative vision that paved the way for modernity. Among contemporary artists, I particularly admire Anish Kapoor and Jaume Plensa, whose material and symbolic explorations resonate strongly with my own sensibility. Kapoor for the way he investigates matter and the void, creating almost spiritual experiences, and Plensa for the monumental poetry of his human figures, which evoke presence and silence.


Q – What is your creative process like, how do you describe how you create one of your masterpieces?

A – My creative process unfolds in different ways, depending on the stage I am in. At times, I feel that the work already exists within the material, as if it were silently present, and my role is simply to remove the excess to reveal it. In other moments, creation emerges from a sudden vision, a flash that appears in my mind like a scan of the form before it even exists. There is also always a dimension of research, both material and conceptual. I explore the relationship between matter and presence, experimenting with different mediums while reflecting on themes that permeate my artistic poetics. This movement is always intuitive and dynamic, a constant dialogue between what is already there and what still needs to be revealed.


Q – What is your favorite piece you created and why?

A – It is difficult to choose just one favorite piece, as each creation marks a special moment in my journey. Impulso Vital holds a unique place in my life as it was my very first work, the awakening of my artistic gift. At present, I am deeply captivated by Sol, which is currently in the casting phase, a sculpture I feel truly passionate about. And Fenda do Tempo represents a new stage of modernity in my practice, a language I greatly appreciate and one that opens paths to new creative possibilities.


Q – What message or emotion are you trying to convey in your work, are there any recurring themes or motifs?

A – I strive to create works that speak to the unconscious, capable of capturing the gaze and inviting an intimate interaction with the viewer. Sensuality is a constant presence in my creations, expressed through lines and forms that evoke seduction both in the feminine and in the abstract. Organicity, flow, and the transformation of matter are recurring paths, guiding the work beyond mere aesthetic contemplation toward a profound and sensitive reflection.


Fenda do Tempo, Automotive resin with internal acrylic painting, 60 x 25 x 20 cm


Art collectors and aficionados are cordially invited to experience Mylene Costa’s art exhibition at White’s Art Gallery in Miami, with an Opening Reception on Saturday, September 20th, 2025, from 6 - 10pm. The gallery is located in the Bird Road Art District at 7428 SW 42nd Street in Miami, Florida 33155.

For further information visit: www.mylenecosta.com
Follow Mylene Costa on Instagram @MyleneCostaArt

#Artists --> MIAMI ARTIST™ | Art Basel Week Pop-Up

 


MIAMI ARTIST™ | Art Basel Week Pop-Up

Something special is brewing for Art Basel Miami Beach Week 2025 — and it’s not your typical gallery show. We’re curating an exclusive, juried Pop-Up Art Showcase during Miami Art Week for serious professional artists only.

Event Dates: December 1–7, 2025
Location: Miami, Florida – details to be revealed to selected participants.
Mediums: All professional mediums and genres considered.

Submission Requirements (Incomplete submissions will not be reviewed):

  • 5–7 high-resolution images of recent work

  • Link to a professional artist website (no social media pages)

  • Contact information (Attn: Katerina Wagner)

Deadline: Wednesday, October 1st, 2025
Email: miamiartscene@gmail.com

Note: Space is highly limited. Only artists who meet submission guidelines and present professional-level work will be considered.

 

www.themiamiartscene.com




Wednesday, August 13, 2025

Public Art in the Miami Design District | Marc Newson DASH Fence (2007)

 


A Must-See in the Miami Design District, Marc Newson's DASH Fence (2007) located at 4001 NE 2nd Avenue - Miami, FL 33137. The DASH Fence by designer Marc Newson is a 100-ft fence installation at the Design & Architecture High School (DASH), creating a compelling environmental structure in the heart of the Miami Design District. Based conceptually on waves, the design consists of a thin metal frame of 400 vertical fins of varying depths that create a series of changing patterns. The appearance of the fence shifts based on point of view—up close, the fence allows a full view into and out from the DASH courtyard. However, from a distance, the surface becomes fully opaque and appears to undulate as the viewer passes by.

Friday, August 8, 2025

The Bass 🎨LAST CHANCE for Rachel Feinstein: The Miami Years

The Bass Bulletin.
A white room with various art sculptures by artist Rachel Feinstein. To the left, sits a simplistic black piano with a black palm tree and a red parrot. In the foreground to the left of center is a sculpture of a tall woman standing, with one arm reaching for the sky. There is paint splatter all over her body. In the background is a whimsical theatrical style rainbow staircase and mirror sculpture, next to it a white sculpture with multiple mirrors. In the center is a clay colored, low-to the ground sculpture with dark navy plushie dolphins. The a melting disco ball sculpture hangs from the ceiling above.


RACHEL FEINSTEIN: THE MIAMI YEARS
ON VIEW THROUGH AUGUST 17 

Now's your last chance to experience 𝙍𝙖𝙘𝙝𝙚𝙡 𝙁𝙚𝙞𝙣𝙨𝙩𝙚𝙞𝙣: 𝙏𝙝𝙚 𝙈𝙞𝙖𝙢𝙞 𝙔𝙚𝙖𝙧𝙨! Closing soon on August 17th at The Bass, 𝙏𝙝𝙚 𝙈𝙞𝙖𝙢𝙞 𝙔𝙚𝙖𝙧𝙨 is a focused exhibition examining the underlying impact of Miami's contradictory marks of sophistication and decadence, exuberance and decay on Rachel Feinstein's rich and sweeping practice centered on the commission of a panorama mirrored wall.

While early influences include figures like Carolee Schneemann and Kiki Smith, there is another less-considered though powerful undercurrent in Feinstein's work: Miami. The artist grew up in "The Magic City" during the 1980s.

Miami, then and now, is defined by the collision of extremes. From lush landscapes of extraordinary natural beauty juxtaposed with industrial wasteland, to glittering façades adjacent to crumbling urban neglect, to clashing architectural styles found in any single block, South Florida is enmeshed in escapist fantasy while simultaneously embroiled in the conflicted realities of contemporary life, politics and the environment. 


This exhibition is curated by The Bass Curator at Large James Voorhies and Claudia Mattos Associate Curator of New Media Art.

This exhibition is presented with support by Gagosian, Givenchy and PHILLIPS. Additional support is provided by Arison Arts Foundation, Dry Farm Wines, Funding Arts Network, The Ritz-Carlton, South Beach and Zaytinya.

Installation view of 𝙍𝙖𝙘𝙝𝙚𝙡 𝙁𝙚𝙞𝙣𝙨𝙩𝙚𝙞𝙣: 𝙏𝙝𝙚 𝙈𝙞𝙖𝙢𝙞 𝙔𝙚𝙖𝙧𝙨, 2024. Photography by Zaire Aranguren. Courtesy of The Bass, Miami Beach.

Thursday, August 7, 2025

SaveArtSpace: New open call for art!

Announcing New Open Call For Art!


SaveArtSpace: PULSECRAFT
Curator: Jérôme LaMaar Rice
Location: New York, NY
Open call ends: September 15, 2025

SaveArtSpace is proud to present PULSECRAFT, a public art exhibition on ad space in New York, NY, starting October 31, 2025, curated by Jérôme LaMaar Rice.

PULSECRAFT: Navigating the interaction between Spirituality, Science, Style and Society, shaping the frequency of culture. Futuristic thinking is present at every corner of culture but how can we tap into the pulse of the next wave of innovation, creativity and style. Let's counter the mundane with marvelous new ideas and perspectives that challenge the old guards who only know how to exist in fear, lies, poor taste and control. 

We invite artists of all ages and talents to submit their artwork between August 7 and September 15, 2025. This is an opportunity to have your work placed on billboard ad space in New York, NY.

Learn More

For All Available Open Calls Please Visit SaveArtSpace.org/submit

Saturday, August 2, 2025

Public Art in the Miami Design District | Diamantina by The Campana Brothers (2008) Fernando and Humberto Campana


A Must-See in the Miami Design DistrictDiamantina by The Campana Brothers (2008) Fernando and Humberto Campana located in the Lobby at 4141 NE 2nd Avenue - Miami, FL 33137. Winner of the 2008 Design Miami/ Designer of the Year Award. Fernando and Humberto Campana of Estudio Campana create singularly joyful and expressive designs that bridge handcraft, limited edition, and mass production, frequently using discarded and mundane materials. For Design Miami/ 2008 the Campana brothers created Diamantina using the native Brazilian plant Apui, which grows on and eventually chokes rainforest trees. This rattan-like fiber is woven around plastic garden chairs and other ready-made plastic objects, such as discarded toys, dolls, flip-flops, and tires. Like the rainforest trees, the man-made objects are almost entirely swallowed up by the organic material, symbolizing nature's triumph over the synthetic world. With Diamantina, the Campana brothers expanded on this concept by introducing native Brazilian amethyst crystals into the woven structure, creating a series of biomorphic islands that visitors were encouraged to sit on and explore.

Friday, August 1, 2025

Enjoy NSU Art Museum's Free First Thursday – Experiment with VR Immersive Artmaking

FREE FIRST THURSDAY

EXPERIMENT WITH VR IMMERSIVE ARTMAKING

AND

ALL-DAY MINI MUSE

Museum visitors posing

Thursday, August 7, 2025

11 am – 7 pm


Enjoy FREE Museum admission and 2-for-1 All Day Happy Hour on the first Thursday of every month from 11 am to 7 pm during Free First Thursday Sunny Days/Starry Nights.

EXPERIMENT WITH VR IMMERSIVE ARTMAKING

Join us on Free First Thursday, August 7, from 11 am - Noon or 1 - 5 pm to experience NSU Art Museum’s new VR Art program developed by Nova Southeastern University faculty and students from the Department of Communication, Media, and the Arts in the Halmos College of Arts and Sciences. Experiment with painting in virtual reality in this session. This guided, free activity is available in English & Spanish, and will be offered on a first-come, first-served basis. We have a capacity of 3 participants at one time. Please register for a timeslot here: https://forms.office.com/r/Y7sdCrR88j


We are beyond grateful to our NSU Department of Communication, Media, and the Arts team, who created and facilitated this program. A very special thanks to:

Kolos Schumy – Artist and Program Creator, DCMA Assistant Professor of Art+Design

Raul Perez – Art+Design Intern

Sofia Menco – Art+Design Intern

Maria Victoria Ruiz O’Reilly – Art+Design Intern

Shanti Bruce – DCMA Department Chair  

ALL DAY MINI MUSE

Get creative with us during Mini Muse for our free drop-in art-making project offered from 11 am - 6:30 pm. This drop-in art-making event is open to every skill set and all ages. Grab your friends, family, or come alone and let your imagination run wild. 


Materials are provided and all are welcome.


Mini Muse is sponsored by Funding Arts Broward