Experience the Future of Art: Laurence Gartel’s “MIAMI-NORMANDIE” Launch Weekend

Experience the Future of Art: Laurence Gartel’s “MIAMI-NORMANDIE” Launch Weekend, a two-day celebration of Laurence Gartel’s MIAMI-NORMANDIE. Known globally as the Father of Digital Art, Gartel brings his vibrant genius to France for a landmark exhibition and immersive weekend.

This momentous gathering invites collectors, creatives, and connoisseurs to witness the past, present, and future of art through the lens of a singular visionary—whose impact spans five decades and now converges with AI and robotics.

Saturday, September 13: Celebration and Immersion

The festivities commence with a press conference at Hôtel de Ville Park (3:30 PM)—a rare opportunity to engage directly with Gartel as he reflects on his groundbreaking journey in digital art. Media representatives and VIP guests are invited to an exclusive conversation with the artist.

At 4:30 PM, join Madame Mayor and Laurence Gartel for the official opening of his 50-Year Retrospective. This ribbon-cutting ceremony at Hôtel de Ville Park will unveil a sweeping tribute to Gartel’s legacy—an exploration of digital culture before it became mainstream.

The evening continues at 6:30 PM with the Opening Reception of the AI and Robotics Exhibitions at the Grand Casino Gallery / Domaine de Forges. This visionary showcase highlights the intersection of art and artificial intelligence—featuring never-before-seen works co-created with AI, as well as Gartel’s mesmerizing robotic sculptures. Guests will also have the opportunity to receive a signed copy of his latest book.

Sunday, September 14: Encounters and Innovation

Day two is designed for more intimate engagement and thought-provoking conversation.

Start the morning at 11:00 AM with Coffee and Entertainment in the Park, where guests can mingle casually with Gartel amidst live surprises at Hôtel de Ville Park.

Then, at 12:30 PM, indulge in a private brunch at Domaine de Forges, a refined setting for deeper dialogue and connection.

The afternoon crescendos with the World Premiere of “DIGITAL TITAN” at 2:30 PM in the Ambassadors Hall, Grand Casino—a powerful documentary chronicling Laurence Gartel’s artistic journey and cultural impact.

Finally, at 3:45 PM, witness a live robotics demonstration, followed by a conference on the future of art and technology. Gartel’s robotic creations will take center stage in an interactive performance, concluding with a public roundtable and the official closing of the weekend.

Join Laurence Gartel in Normandy and be part of digital art history.

This weekend is more than an exhibition—it’s a frontier where tradition meets the cutting edge. Whether you're a collector, investor, or innovator, this is an unprecedented opportunity to connect with a living legend and the future of art itself.

For more information and updates, follow the event page on Instagram: @miami_normandie

Discover the Bold Visions & Vivid Color of Digital Artist Martin Fine’s Extraordinary Work

Contemporary digital artist Martin Fine in his art studio   South Florida contemporary artist Martin Fine is a self-taught digital artist whose journey from commercial photography to abstract expressionism reflects a lifelong passion for visual storytelling. With a successful art career that began behind the lens — capturing architecture, interiors, and design — Martin developed a sharp eye for form, light, and composition. Today, his vibrant digital paintings are infused with the spirit of Impressionism and Expressionism, yet fully grounded in modern technique.

Abstract in Blue II, Framed

Inspired by masters like Van Gogh, Renoir, Kandinsky, and Chuck Close, Martin creates bold, color-rich works that bridge traditional beauty and contemporary flair. Now working full-time as an artist, his pieces are known for their dynamic energy, painterly textures, and emotional resonance — each one a celebration of color, vision, transformation, and the power of reinvention. Martin Fine is a prolific and versatile artist with an extensive inventory of work spanning a wide range of styles and series. From bold modern abstracts and Bauhaus-inspired compositions to striking depictions of Art Deco architecture and the iconic Miami Beach skyline — as well as breathtaking prints of New York City’s historic buildings and signature yellow taxi cabs — Martin Fine’s portfolio reflects both artistic depth and technical range.

Blue Primordial Man, Framed

Martin Fine has artworks available for sale on his Etsy Shop, as well as special commissions or one-of-a-kind pieces can be requested. To learn more about this fascinating artist, for sales, commissions, inquires or general info, email martinfineimages@gmail.com and visit www.martinfineartgallery.com. Follow Martin Fine on Instagram @MartinFineArtPrints Follow Martin Fine on Facebook Martin Fine Art Prints

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Circles in Space, Framed

Art Deco District, Miami Beach

Tethered Between Light and Water, Framed

Whether capturing the rhythm of Miami’s famed Art Deco District, serene beach scenes, Manhattan’s iconic cityscapes, or exploring the expressive potential of color and form, Martin’s work demonstrates a masterful ability to move fluidly between genres while maintaining a strong and cohesive visual voice. Decorate your home, office, or personal space today!

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Bauhaus Abstract VI, Framed

The Flat Iron Building, New York

Miami Beach Skyline

Laurence Gartel "The Father of Digital Art", part of the Greatest Photographers of All Times exhibition & FotoMentor Award 2009

 

Laurence Gartel "The Father of Digital Art", part of the Greatest Photographers of All Times exhibition & winner of the FotoMentor Award in 2009.

Laurence Gartel: Known as ‘The Father of Digital Art’, Gartel’s vision was to create electronic images, capture them with a still camera off a monitor as there were no saving devices or software to store the created picture. He saw these images as works of Art that would eventually replace painting. In 1985 he delivered the keynote speech at the First Pan Pacific Computer Conference in Melbourne, Australia predicting the future of the world, which landed him on the front page of “The Australian” Newspaper. This was the same year he taught Andy Warhol how to use the Amiga Computer to create the album cover for Debbie Harry (Blondie.) It was a moment when “Pop Art met Digital Art.” In 1991, he produced his famous ABSOLUT GARTEL ad for Absolut Vodka. Gartel had a feature exhibition at the Norton Museum of Art, and in 2009 he received the Palm Beach Photographic Centre’s prestigious FOTOmentor Award. In his 40+ year career he created artwork for the 57th Annual Grammy Awards; Newport Jazz Festival; NASA; Monaco International Film Festival; Feature of the 113th New York International Auto Show; Oslo Motor Show Norway and much more.

Documentation of Refik Anadol's 'Unsupervised' — Machine Hallucinations — MoMA

 

Unsupervised — Machine Hallucinations — MoMA - Refik Anadol Studio

Unsupervised is part of Machine Hallucinations, Refik Anadol Studio’s ongoing project exploring data aesthetics based on collective visual memories. Since the inception of the project in 2016, Anadol has utilized machine intelligence as a collaborator of human consciousness, specifically DCGAN, PGAN, and StyleGAN algorithms trained on vast datasets to unfold unrecognized layers of our external realities. Anadol and his team collect data from digital archives and publicly available resources, and process these datasets with machine-learning classification models. As a masterfully curated multi-channel experience, Machine Hallucinations brings a self-regenerating element of surprise to the audience and offers a new form of sensorial autonomy via cybernetic serendipity.

This video documents 1 min 18 seconds of Unsupervised — Machine Hallucinations — MoMA (2022), one of the three works in "Refik Anadol: Unsupervised" at MoMA, which continuously unfolds in real time, it was on view at the museum through April 15, 2023. The AI-based abstract images and shapes that result from the machine’s unsupervised learning of modern art are dictated by the Museum’s collection archive, weighted toward the special exhibition of new artworks at MoMA. The AI data pigmentation, in turn, captures the movement in the latent space created by autonomous machine hallucinations. Each data connection is driven by an edge-detection algorithm and colorized by the density of its previous and next latent coordinates. In other words, the machine allows the artist to trace its “unconscious decisions,” in a network of intricate and poetic connections.

#ArtistSpotlight: Laurence Gartel "The Father of Digital Art"

 

Digital Titan Laurence Gartel. Photographed by Sunman.

When we mention the name Laurence Gartel, we are talking about a figure within the art world that has pretty much seen everything. From the heady days of Studio 54 and bumping into the likes of Truman Capote through to being the frontrunner in the art-car phenomenon. Gartel’s work has been featured in the collections of the Victoria and Albert Museum in London, MoMA The Museum of Modern Art in New York, and The Lucca Museum in Italy. Laurence Gartel has created works of art for The Coca-Cola Company, the National Basketball Association, Absolut Vodka, and he was the official artist of the 57th Grammy Awards, and was also featured in Apple’s famous “Think Different” ad just to name a few. Hailed as the first graphic artist of the digital age, Gartel stands at the top of his artistic niche as the acknowledged “Father of Digital Art”. He created his first piece of digital art in 1975 at Media Study Buffalo in upstate New York and also created the first digital ad for Absolut Vodka utilizing the first digital camera by Canon. Check out one of Gartel's iconic T-shirts from Limitato. Having collaborated with some of the best-known artists and photographers in the world – in this case, pioneering digital artist Laurence Gartel – the brand specializes in the production of wearable artworks, asking that the same amount of attention is given to its clothes as you would give when walking around a gallery. Many Gartel designs and styles to choose from at Harrods: https://www.harrods.com/en-us/shopping/kaleidoscope-by-laurence-gartel-t-shirt-19496058

MUD Foundation presents Media Under Dystopia 3.0: WASD during Art Basel Miami Beach TONIGHT Monday, November 28th

Guests are invited to join The MUD Foundation, Miami’s only Art and Technology non-profit, for the Soft Opening Reception (On View) TONIGHT, Monday, November 28th from 10pm - 1am, Dragvatar Party.

MUD Foundation announces Media Under Dystopia 3.0: WASD, a new exhibition that features projects by artists that explore ideas of collaboration, performance, extractivism, and the intersection of physical and digital realms. At its core, the exhibition centers around the use of the internet as its own creative medium.

“WASD” keys became the standard for moving around virtual worlds on the left side of our keyboard interface. First used in 1986 in “Dark Castle,” a video game made by Silicon Beach Software, WASD keys became the primary form of navigating virtual spaces moving forward. The WASD edition of Media Under Dystopia 3.0 takes on the idea of WASD keys as a conceptual framework that invites participants and visitors to navigate the space of the internet as an artistic metaverse.

Each of the works call upon visitors to experience and engage with them in a virtual realm, intentionally positioning them as active participants in the artworks themselves. This idea is core to MUD Foundation’s mission – expanding beyond the traditional means of experiencing art and deconstructing the walls of a space by opening up the boundless space of the metaverse as an access point for creative engagement.

Building upon previous iterations of its exhibitions program, this year MUD foundation is publicly launching its own metaverse platform, Onland.io–an open web-based metaverse with a mission of facilitating educational and artistic projects where the internet, data, virtual reality, and art converge. Onland.io will be the metaverse host platform for all of Media Under Dystopia exhibitions– past, present and future–ensuring that these artworks can exist and evolve in perpetuity beyond the run of their physical presentations.

Artist Ariel Baron-Robbins

Within the exhibition, artist Antonio Mendez, aka Queef Latina, uses the metaverse to bring drag performance and culture into a new dimension–to be experienced in various interfaces–allowing viewers of any age, ability, or background to immerse themselves. In the work of Vuk Cosic, the intersection of digital and cultural histories is explored through the research and reimagining of “card stunts” used in various historical contexts where individuals become only a pixel and are surrogate to the collective inertia. Rafael Rodriguez’s work explores the phygital realm by translating data from the actual to the virtual, through sensor interfaces.

Artist Vuk Cosic

Including both local and international artists, the participating artists in the exhibition include Ariel Baron-Robbins, Vuk Cosic, Vladan Joler, Antonio Mendez, Rafael Rodriguez Gárciga and Alba Triana. Onland.io will publicly launch with artworks by these participating artists and also, Leo Castaneda, Jose Hernandez and Yucef Merhi.

Artist Vladan Joler

Media Under Dystopia: 3.0: WASD is supported in part by the National Endowment for the Arts and with the support of the Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council, the Miami-Dade County Mayor and Board of County Commissioners.

Antonio Mendez

The artwork Augmented Drag Reality by Antonio Mendez is funded by The Ellies, Miami’s visual arts awards, presented by Oolite Arts with additional support from MUD Foundation. MUD Foundation is sponsored in part by the State of Florida, Department of State, Division of Arts and Culture, the Florida Council on Arts and Culture, and the National Endowment for the Arts.

Artist Rafael Rodriguez Gárciga

Collectors, art lovers and tech enthusiasts are invited to experience Media Under Dystopia 3.0: WASD at MUD Foundation in Miami during Art Basel Miami Beach Monday, November 28th through Monday, December 5th featuring projects by artists that explore ideas of collaboration, performance, extractivism, and the intersection of the physical and digital realms. This Event is FREE & Open to the Public / RESERVE YOUR SPOT HERE. Miami Art Week Gallery Hours: 10:00am-6:00pm. Additional hours by appointment only, kindly email: info@mud.foundation

Artist Alba Triana

Guests are invited to join The MUD Foundation, Miami’s only Art and Technology non-profit, for the Soft Opening Reception (On View) TONIGHT, Monday, November 28th from 10pm - 1am, Dragvatar Party.

'Art Class Model'. 3 x 4.75 inches, 1980. Signed in pencil.

Rare Digital Art by Laurence Gartel 'Nude' Series, Circa 1979 – 1982 Laurence Gartel is a living legend. Hailed as the first graphic artist of the digital age, Laurence Gartel stands at the top of his artistic niche as the acknowledged “Father of Digital Art”. A born and bred New Yorker, he perfected his iconoclastic style with the likes of Andy Warhol, whom he introduced to computer artistry even before Mac and the PC came on the scene. Like Warhol, Gartel blurred the line and created a bridge between fine art and graphic artistry.   'Lovers Lane', 3.5 x 4.75 inches, 1982. Signed in pencil. Gartel’s trailblazing in digital art was unthinkable when he started his career in 1975. He was working at the University at Buffalo, Media Study Department on analog system computers when he met video guru Nam June Paik who wrote the Introduction to what is thought to be the first book on digital art: “Laurence Gartel: A Cybernetic Romance” published by Gibbs Smith in 1989. The same year, Gartel created the first cover of Forbes Magazine and held an exhibition of works titled, “Nuvo Japonica” made on a Commodore Amiga Computer that replaced Van Gogh’s “Irises” at the Joan Whitney Payson Gallery in Portland, Maine.   'Untitled Nude', 3.5 x 4.75 inches, 1982. Signed in pencil.   'The Father of Digital Art', Laurence Gartel has created works of art for The Coca-Cola Company, the National Basketball Association, Absolut Vodka, and he was the official artist of the 57th Grammy Awards, and was also featured in Apple’s famous “Think Different” ad just to name a few. Gartel stands at the top of his artistic niche as the acknowledged “Father of Digital Art”. He created his first piece of digital art in 1975 at Media Study Buffalo in upstate New York and also created the first digital ad for Absolut Vodka. Gartel has exhibited at MoMA The Museum of Modern Art, the Princeton University Art Museum, a museum retrospective at the Norton Museum of Art in 1991, and his work in the permanent collection of the Museum of Modern History at the Smithsonian, he has held numerous exhibitions and shows within South Florida, the United States and Europe over the course of his career. Laurence Gartel has written and published many books, he’s been featured in countless art history books and was also Andy Warhol’s computer arts teacher. He has worked with famous faces like Debbie Harry, the Sex Pistols, and more recently, Justin Timberlake and Britney Spears. Gartel also produces stunning art cars such as his recent Saratoga-themed Maserati which marked his 58th such creation, others include a Ferrari Scuderia 430, and a Tesla Roadster among many fine or classic vehicles that Gartel has designed, each iconic paint job tells a story.   'Debbie', 2.75 x 4.5 inches, 1979. Signed in pencil. Gartel's Nude series are rare, limited works created in the early days of his career between 1979 - 1982. These little gems are matted and signed, each piece holds a story. They are available for sale exclusively through the artist's personal collection. For pricing and shipping information, contact Laurence Gartel via email: Gartel@aol.com Read our Feature Editorial: http://www.themiamiartscene.com/laurence-gartel-the-father-of-digital-art-has-boldly-gone-where-no-artist-went-before/

International Call for Artists: American Art Awards Scored By America's 25 Best Galleries

American Art Awards Scored By America's 25 Best Galleries

American Art Awards announces a call to artists for an online art competition. $7,000 in prizes, plus 100+ articles naming our 300 winners as "Best In World" in their categories. Juried by America's 25 Best Galleries & Museums. 50 categories / paint / graphite / digital / photography / sculpture. Artists in all countries welcome. $25 entry fee. Deadline: July 30, 2020. 

More info. / Apply Here

Email: amerartawards@aol.com or Call: (909)436-9242.

NSU Art Museum: Fort Lauderdale Neighbor Day

NSU Art Museum presents Fort Lauderdale Neighbor Day on Saturday, July 27th and Sunday, July 28th from 11am-5pm. Enjoy a family day at the NSU Art Museum Fort Lauderdale, the museum has designated the last Saturday and Sunday of this month as Fort Lauderdale Neighbor Day, which provides free admission to Fort Lauderdale residents on the designated dates. See link for details. 

In addition to free Museum admission, Fort Lauderdale residents will receive a 10% discount on catalogues published by NSU Art Museum Fort Lauderdale and sold in the Museum Store. For free admission, residents will need to show a photo ID, driver’s license, or residential utility bill that lists a Fort Lauderdale address.

Overtime at The Bass

Enjoy Overtime at The Bass on Wednesday, July 31st from 6-9pm presenting David Gryn, Director and Founder of Daata Editions, in conversation with curator Leilani Lynch on the challenges and opportunities of curating in the digital sphere. Featuring screenings of digital projects by artists Rosie McGinn, Anaïs Duplan, Elliot Dodd, Keren Cytter, Jeremy Couillard, Bob Bicknell-Knight, Eve Papamargariti and Scott Reeder, join us for a special announcement about The Bass’ latest project with art native to the digital realm. Experience a one-night-only of special programming and evening hours, plus a FREE welcome drink per guest (21+) with drinks and small bites available for purchase from The Café by Thierry Isambert.

$10 | FREE for museum members. RSVP and Purchase Tickets here.

Laurence Gartel, "The Father of Digital Art", Has Boldly Gone Where No Artist Went Before

Laurence Gartel is a living legend. Hailed as the first graphic artist of the digital age, Laurence Gartel stands at the top of his artistic niche as the acknowledged “Father of Digital Art”. A born and bred New Yorker, he perfected his iconoclastic style with the likes of Andy Warhol, whom he introduced to computer artistry even before Mac and the PC came on the scene. Like Warhol, Gartel blurred the line and created a bridge between fine art and graphic artistry. 

“Self Portrait of the Artist” (c) Laurence Gartel 2017

Gartel’s trailblazing in digital art was unthinkable when he started his career in 1975. He was working at the University at Buffalo, Media Study Department on analog system computers when he met video guru Nam June Paik.

Nam June Paik went on to write the Introduction to what is thought to be the first book on digital art: “Laurence Gartel: A Cybernetic Romance” published by Gibbs Smith in 1989. The same year, Gartel created the first cover of Forbes Magazine and held an exhibition of works titled, “Nuvo Japonica” made on a Commodore Amiga Computer that replaced Van Gogh’s “Irises” at the Joan Whitney Payson Gallery in Portland, Maine.

Fort Lauderdale Film Festival, 1995. Cibachrome Print, 40″ x 30″

Gartel’s vision was to create electronic images by capturing them with a still camera off a monitor, as there were no saving devices or software to store the created picture. In 1985, he delivered the keynote speech at the First Pan Pacific Computer Conference in Melbourne, Australia predicting the future of the world, which landed him on the front page of The Australian Newspaper. This was the same year he taught Andy Warhol how to use the Amiga Computer to create the album cover for Debbie Harry (Blondie). It was a moment when “Pop Art met Digital Art”.

In the true innovative sense, Gartel received the commission to produce ABSOLUT GARTEL for Absolut Vodka, utilizing the first digital camera by Canon. The “file” itself was 900K – less than a megabyte. This astounded everyone as to how something with “low” resolution could command the attention of the advertising and art world. He was also featured in Apple’s famous “Think Different” ad and has created works of art for Coca-Cola, the National Basketball Association, and other top brands and personalities.

Warp, 1996. Ink-Jet Print, 11″ x 8 1/2″
Collection: Coca Cola Company, All Rights Reserved

Gartel achieved the prodigious accomplishment of having his work hanging in the Museum of Modern Art before he turned 25, and he remains on the cutting edge of his profession today. His resume includes exhibits at Palm Beach Photographic Center, a museum retrospective at the Norton Museum of Art, Joan Whitney Payson Museum, Princeton University Art Museum, Bibliotheque Nationale Paris, the Victoria & Albert Museum in London, and the permanent collection of the Museum of Modern History at the Smithsonian to name a few.

Clown Cuzin, 2000. An ink jet print, this collage was made in Painter and Photoshop running on an IntelliStation. It was exhibited at the Edison College Gallery of Art.

His work has also graced the pages and covers of many well-known magazines such as Forbes, ART-IN-AMERICA, Artforum, Sotheby’s, Art and Auction, Art and Antiques, ArtByte, Scientific American, and NY Magazine.

Double Disguise, 1989. This R Type print selection was created on a Commodore Amiga, first exhibited at the Joan Whitney Payson Museum of Art in Portland, Maine

The artist’s 40-year career has touched all points of the globe: from creating a Bollywood-style video and music multimedia work commissioned by Universal Studios; to delivering the keynote speech at the Fotographica Congress in Orvieto, Italy to receiving a Lifetime Achievement Award from the Globus Family Trust; official artist of the 57th Grammy Awards; artist of the Newport Jazz Festival; NASA MMS Launch at Kennedy Space Center; official artist of the Monaco International Film Festival, to being the feature of the Oslo Motor Show in Norway.

Coney Island Baby, 1999. Giclee print, 13″ x 9″

These days, Gartel, who now calls Miami home, has shifted gears taking his art to a whole new frontier – car art. His commissioned creations include a Tesla Electric Art Roadster, a Ferrari Scuderia 430, a 1984 Rolls Royce Spirit, a 1957 Lincoln Premier Convertible, a 1959 Fleetwood Cadillac Limousine, and a 1963 Chevy Pickup among other fine or classic vehicles. Each iconic paint job tells a story.

For instance, Gartel says, “On the 1959 Cadillac I depict the space race against the former Soviet Union as well as Castro’s influence and the addition of Hawaii as America’s 50th state.”€ His ‘Auto-Motion’ exhibition has been captured on film for the big screen in Britain, Australia, and many other countries around the globe, as well as in a luxury edition of a hard-bound coffee table book. He followed that up with his ‘Supercar’ series and then, in 2012, with the Fireball Run: Northern Exposure film and live streaming event.

Gartel earned a BFA degree in Graphics at the School of Visual Arts where he interacted with renowned graffiti artist Keith Haring. He studied for an MA in Photography under Arthur Leipzig at CW Post College and later began his electronic career working side by side with video guru Nam June Paik at Media Study/Buffalo in upstate New York in 1975.

Gartel’s recent installation “Welcome To Miami” at Virgin MiamiCentral

For more information about this fascinating artist, for sales, exhibitions and project inquiries, to commission an art piece or an art car, please visit https://gartelmuseum.weebly.com/