Showing posts with label usa. Show all posts
Showing posts with label usa. Show all posts

Saturday, July 26, 2025

Experience the Future of Art: Laurence Gartel’s “MIAMI-NORMANDIE” Launch Weekend


Experience the Future of Art: Laurence Gartel’s “MIAMI-NORMANDIE” Launch Weekend, a two-day celebration of Laurence Gartel’s MIAMI-NORMANDIE. Known globally as the Father of Digital Art, Gartel brings his vibrant genius to France for a landmark exhibition and immersive weekend.

This momentous gathering invites collectors, creatives, and connoisseurs to witness the past, present, and future of art through the lens of a singular visionary—whose impact spans five decades and now converges with AI and robotics.

Saturday, September 13: Celebration and Immersion

The festivities commence with a press conference at Hôtel de Ville Park (3:30 PM)—a rare opportunity to engage directly with Gartel as he reflects on his groundbreaking journey in digital art. Media representatives and VIP guests are invited to an exclusive conversation with the artist.

At 4:30 PM, join Madame Mayor and Laurence Gartel for the official opening of his 50-Year Retrospective. This ribbon-cutting ceremony at Hôtel de Ville Park will unveil a sweeping tribute to Gartel’s legacy—an exploration of digital culture before it became mainstream.

The evening continues at 6:30 PM with the Opening Reception of the AI and Robotics Exhibitions at the Grand Casino Gallery / Domaine de Forges. This visionary showcase highlights the intersection of art and artificial intelligence—featuring never-before-seen works co-created with AI, as well as Gartel’s mesmerizing robotic sculptures. Guests will also have the opportunity to receive a signed copy of his latest book.

Sunday, September 14: Encounters and Innovation

Day two is designed for more intimate engagement and thought-provoking conversation.

Start the morning at 11:00 AM with Coffee and Entertainment in the Park, where guests can mingle casually with Gartel amidst live surprises at Hôtel de Ville Park.

Then, at 12:30 PM, indulge in a private brunch at Domaine de Forges, a refined setting for deeper dialogue and connection.

The afternoon crescendos with the World Premiere of “DIGITAL TITAN” at 2:30 PM in the Ambassadors Hall, Grand Casino—a powerful documentary chronicling Laurence Gartel’s artistic journey and cultural impact.

Finally, at 3:45 PM, witness a live robotics demonstration, followed by a conference on the future of art and technology. Gartel’s robotic creations will take center stage in an interactive performance, concluding with a public roundtable and the official closing of the weekend.

Join Laurence Gartel in Normandy and be part of digital art history.

This weekend is more than an exhibition—it’s a frontier where tradition meets the cutting edge. Whether you're a collector, investor, or innovator, this is an unprecedented opportunity to connect with a living legend and the future of art itself.

For more information and updates, follow the event page on Instagram: @miami_normandie


Monday, April 13, 2020

National Call for Artists: The Elisabeth Jones Art Center


For the Seventh Generation, an exhibition at the Elisabeth Jones Art Center
The Elisabeth Jones Art Center
516 NW 14th Ave
Portland, OR 97209


Contact Email: inga@elisabethjones.art
Call Type: Exhibitions
Eligibility: National
State: Oregon
Entry Deadline: 5/12/20
Entry Fee (Elisabeth Jones Art Center): $20.00 APPLY here.
Call for Entry: For the Seventh Generation– A Community of Coastal Watchers Exhibition at Elisabeth Jones Art Center
 
Exhibition Location:           
Elisabeth Jones Art Center
516 NW 14th Ave.
Portland, Oregon 97209
 
UPDATE April 5: Due to the Coronavirus outbreak, all exhibition dates have shifted. The dates listed in this Call are updated based on current information, but may be subject to change. If you have any questions, please email inga@elisabethjones.art. Stay safe and healthy!

Project Summary:
 Perhaps each of us has a favorite spot along the coast. Looking out over it, we may find ourselves asking, will it survive?  For this reason, hundreds of artists are joining to create For the Seventh Generation: a free-standing, two-foot by mile-long painting dedicated to ocean protection. When the mural is complete, every mile of the California, Oregon, and Washington coastline will be represented by an artist who has created a four-foot section of the total mural – conceptually a continuous landscape, a panorama of the western coastline.
​​​The ocean is continually under threat. Pollution, coastal development, and overfishing all tax the health of its finite system. Without our strong environmental conscience and a voice to express it, threats to the ocean will be left unchallenged and its health subject to the whim and manipulations of politics and industry. This project, extending through the twenty-first century, provides such a voice.
The project is also a fundraiser. We donate 30% of the proceeds from every panel sold to a nonprofit ocean protection organization of the artist’s choice.
The project is presented in two forms: We hold a curated gallery show at the Elisabeth Jones Art Center annually, with our next installation in July 2020.
We also display the entirety of the completed panels at an outdoor event where they are hung end-to-end in geographic order, giving viewers an opportunity to conceptually walk the west coast (2020 date TBD).
Who We Are: Located in Portland’s Pearl District, the Elisabeth Jones Art Center is a gallery and exhibition space dedicated to presenting artwork with a message. Our exhibitions focus on a particular issue, ecological and/or humanitarian, and a percentage of every sale is donated to a nonprofit organization working within the exhibition’s theme.  


Artwork Specifications for Seventh Generation panels: We are currently accepting submissions for the gallery exhibition of the For the Seventh Generation project occurring in August 2020.

1. 
Subject: Artwork must depict a specific location on the West Coast of the United States. The image must be coastal but does not need to be a beach scene. Other examples may include seaside cliffs, wildlife, dunes, boardwalks, waves, figures, etc. Creativity and originality are encouraged. 

IMPORTANT: Before beginning work on the panel you would like to submit, please email your first and second choice locations to inga@elisabethjones.art. The project is already in progress and not all locations are available. If this step is skipped, we may not be able to accept your submission.
2.  Style: All artistic representations are accepted! Realism is not a requirement and abstract interpretations are welcome. 
3. Display: Work to be shown in the gallery must be framed, wired and without glass. The frame must be one that comes off easily. When shown together in the outdoor exhibition, the panels are aligned end-to-end without frames.
4. Medium: Work needs to be done on 1/2” wood panel. These panels can be purchased at lumber stores. The panel will potentially be displayed both indoors and outdoors. We do our very best to protect the artwork from the elements during the outdoor exhibition, but some circumstances are beyond our control. Oil and/or acrylic paint are preferred. Please do not paint on paper or with watercolors or graphite. We cannot accept panels with protruding sculptural elements in order to protect other panels during storage.
5.  Size and format: each panel should be horizontal in orientation, measure 48” across by 24” high. 
 
 (OPTIONAL) Satellite Show submission specifications: 5 finalists will have the opportunity to display between 3 and 5 original artworks unrelated to the project for the duration of the exhibition. These works will be available for purchase by the public.
1. No restrictions regarding medium. Submissions can include sculpture, print, watercolor, painting, etc.
2.  Two-dimensional works should be framed or at least prepared for display.
3.  Must submit between 5 and 15 additional images for consideration by the Executive Director.

Awards:
$250 Award - 3 Available: Given to the top selections by Elisabeth Jones Art Center committee
Satellite shows - up to 5 available: To be eligible for a satellite show, artists must submit at least 5 and up to 15 additional images of work for consideration of the Executive Director.
Inclusion of Seventh Generation panel in June Gallery Exhibition – 50 Finalists Selected
 
Submission Requirements: Must include at least one image of the panel but may include additional images or detail shots.   
Photographs must be of good quality (at least 1300 pixels on the longest end) and not blurry or heavily edited.
To be considered for a satellite show, please include an additional 5-15 photographs of other work.
 
Sales Information: All Seventh Generation panels are made available for sale and prices are determined by the artist (and overseen by the Executive Director). 30% of the sales price goes to the artist, 30% to Elisabeth Jones Art Center, and 30% will be donated to an ocean protection nonprofit of the artist’s choice.    
For sales of Satellite show artwork (non Seventh Generation panels): 50% of the sales price goes to the artist, 40% to the Elisabeth Jones Art Center, and 10% will be donated to an ocean protection nonprofit of the artist’s choice.
 
Delivery: We are available to accept in-person deliveries of accepted artwork from Wednesday through Sunday starting July 10th, 12pm – 6pm at Elisabeth Jones Art Center at 516 NW 14th Ave in Portland, Oregon.
 Shipped artwork must be received no sooner than July 5th and no later than July 23rd.
 
Calendar:
Submission deadline: June 12
Selections made and artists notified: June 24
Accepted artwork must be delivered in person or by mail: July 5-21

Opening Reception: August 6
Last day of exhibition: TBD (date in flux due to closures caused by Coronavirus)

Send any questions to inga@elisabethjones.art

Friday, April 3, 2020

The International Society of Experimental Artists 29th Annual Juried Exhibition


Contact Email: iseaentry@iseaartexhibit.org
Call Type: Exhibitions
Eligibility: International
Entry Deadline: 4/15/20
Entry Fee: (ISEA member entry fee): $30.00
Entry Fee: (Non ISEA member entry fee): $55.00
The International Society of Experimental Artists will host its 29th Annual Juried Exhibition from August 20 to October 24, 2020 at Art Gallery of St. Albert, St. Albert, Alberta, Canada.  All artists are invited, 18 years and older, to enter one piece, in this all media exhibition. ISEA also prints a full color catalog of each exhibition. All members and accepted non-members will receive the catalog.

ISEA was formed in 1991 to give all mediums a venue to have work shown in an annual juried exhibition within the United States or abroad. The society of experimental artists, explores, learns, and applies new techniques, new composition approaches, or new concepts to create. Their philosophy is about having an attitude of experimentation, looking at the “what ifs” in art. "We try and we try again. Our art can be realistic or abstraction, it is our approach to making the art and the aesthetic results that count. 
We are pleased to offer approximately $14,000 in prizes, including a $2,000 Best of Show Award. This year we are able to accept up to 90 pieces of art 2D, 3D, and small installations."
 Deadline EXTENDED TO APRIL 15, 2020. 11:59Pm MT
 PLEASE READ ALL OF THE RULES AND TERMS BEFORE APPLYING. 
1.  Your Profile  
Set up “your Profile” on the CaFE’ website before you try to enter this exhibition. It allows you to upload all of your images and personal information before entering the exhibition. This profile is free for all artists through CaFE’.  www.callforentry.org
 2.  Entry
Digital entries accepted through the CaFÉ website, click here.          
            Search call for this exhibit:
            “International Society of Experimental Artists 29th Annual Juried Exhibit” 
            
You may SUBMIT ONE PIECE OF ARTWORK.
Artwork Specifications
Original experimental artwork in any media completed within the last three years and not shown in any previous ISEA exhibits including the Member-Only Online Exhibitions. Be sure to check your records to avoid elimination.

Commercial reproductions, including giclée prints, will not be accepted. Traditional print media, photography, and digital art should be from a limited edition.
Artwork that is accepted by the juror must be sent – no substitutes permitted. 
The price indicated in the image file name during intake must match the price on the hung work; no price changes will be permitted.
ISEA does not paint walls for artists.  Artwork must come ready to hang. They can attach parts with instructions from the artist and do small repairs.
Within the call application, you will be asked to provide a written statement about the experimental aspects of your work in the question response area available for "Experimental Art" Explain why and how your art is experimental for you.
 2D Artwork
  • Enter ONE IMAGE. Note: If more than one is entered only the first image will be considered.
 ·   Artwork must come ready to hang, with a sturdy hanging device such as a wire or D-hooks. Please test your device prior to shipping.
  • Framed and matted pieces must use Plexiglas (no glass).  
  • Finished/framed maximum size is 40” in any direction; weight limit is 30 lbs.
  • Submitted pieces must NOT include any of the following: glass, anti-glare glazing, frayed wire ends, saw tooth hangers, or smudged and dirty mats.
3D Artwork
  • Two views of your submitted artwork are required. 
·    Artworks that rest on a pedestal or sit on the floor should be structurally sound and sturdy to protect viewers and the artwork
  • 3-Dimensional entries must fit into an elevator and be no larger than (floor) 32w x 48d x 72h inches max weight 50lbs.(Pedestal) 18d x 18l x 30h max 35lbs.
Video 
·     File Type: MP4, 10 minutes or less in length.  If audio attached 2 sets of earphones will be required.
·    File Size: Under 100 MB. 
Currently, linked media from YouTube, Vimeo, etc. is not accepted.
·     Make sure your file is the correct resolution. Video must be no less than 640 x 480 and a minimum of 12 fps.
Embedding audio or video links or code is not supported. At this time, CaFÉ accepts only uploaded media.
 Preparing Your Digital Images for Upload - IMPORTANT
  • Images must be saved in JPG format.
  • Image resolution must be 300 DPI.
  • Image size should be 6 inches or less on the longest side.
  • File size for image must be less than 5mb.
Naming Your Images: VERY IMPORTANT
·      2D One image 
                 Naming Format: LastNameFirstName_Title_HxW_Price.jpg
                Size (finished/framed) must be indicated with Height and Width in inches.
      Example: VanGoghVincent_StarryNight_16Hx20W_2500
                        Price must be in US dollars.
·      3D artwork – including installations
      Two views showing two different perspectives must be provided.        
      Naming Format:  LastNameFirstName_Title_View_Size_Price.jpg
      Size must be indicated with Height, Width, and Depth in inches.  
      Example: VanGoghVincent_StarryNight_#1_16Hx20xWx4D_2500
                                    And
                         VanGoghVincent_StarryNight_#2_16Hx20xWx4D_2500
                        Price must be in US dollars.

      Video:  Naming format: LastNameFirstName_Title_Price(USD)
If you wish to join ISEA as a member, please go to:  www.iseaartexhibit.org  
If you have any questions, please email us at: mailto:  iseaentry@iseaartexhibit.org

Juror
This year's distinguished juror is Brenda Malkinson. Malkinson has participated in numerous art juror opportunities for: public galleries, non-profit societies, artist grants, group exhibitions and artist awards. Brenda holds a diploma from Alberta College of Art and Design (ACAD). Malkinson is a practicing artist in stained glass and woodblock printing. www.Brendamalkinson.com

National Call For Artists | JF Gallery in West Palm Beach: 9th Annual Juried Exhibition


9th Annual Juried Exhibition

JF Gallery in West Palm Beach, FL announces a call to artists for a juried art exhibition, September 1-25, 2020. Best in show: $500. The juror has the option of awarding Honorable Mention recognitions. Purchase awards and exhibition opportunities are some of the additional benefits possible for artists whose work is selected. Open to all Established, Mid Career and Emerging Artists in the US. Entries must have been completed within the past 2 years and not previously exhibited in JF Gallery. Original Artwork in 2D and 3D in all medias are eligible to apply. $35 entry fee. Deadline: August 1, 2020.

Apply here

Wednesday, September 11, 2019

‘Tribute In Light’, A Memorial Art Installation In Remembrance Of The September 11 Attacks

The ‘Tribute in Light’ is an art installation of 88 searchlights placed next to the site of the World Trade Center to create two vertical columns of light in remembrance of the September 11 attacks. It is produced annually by The Municipal Art Society of New York, a non-profit membership organization that fights for intelligent urban planning, design and preservation through education, dialogue and advocacy in New York.


The ‘Tribute in Light’ initially ran as a temporary installation from March 11 to April 14, 2002, and was launched again in 2003 to mark the second anniversary of the attack. As of 2010, it has been repeated every year on September 11. On July 23, 2012, plans were initiated for the National September 11 Memorial & Museum to assume the lease for the MTA (Manhattan Transit Authority) property used during this tribute, and to begin transitioning operation of the tribute from the Municipal Art Society to the memorial foundation.


Those working on the project came up with the concept in the week following the attack. On September 13 2001, the idea was presented to executives of Consolidated Edison, the electric utility company serving New York City. Architects John Bennett and Gustavo Bonevardi of PROUN Space Studio distributed their “Project for the Immediate Reconstruction of Manhattan’s Skyline”. Artists Julian LaVerdiere and Paul Myoda, who before September 11 were working on the 91st floor of the World Trade Center north tower on a proposed light sculpture on the giant radio antenna conceived of a project called “Phantom Towers”.


They were commissioned by The New York Times Magazine to create an image of the project for its September 23 cover. In collaboration, the concept was presented to the Municipal Art Society and on September 19, 2001 the Municipal Art Society chairman wrote to Mayor Rudy Giuliani asking him “to consider placing two large searchlights near the disaster site, projecting their light straight up into the sky.”


After some consideration it was decided to contact lighting experts in the field of high intensity light displays. A Las Vegas company was chosen to help design the installation and to supply the 88 fixtures that would be needed.